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Themes of The Romantic Period

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Romanticism Essay | Essay on Romanticism for Students and Children in English

February 13, 2024 by Prasanna

Romanticism Essay: Romanticism was an artistic, intellectual, literary and musical movement that took place in Europe towards the end of the eighteenth century and mid-nineteenth century. This artistic movement was at its peak in most areas in the approximate period of 1800 to 1850.

The prominence can characterise Romanticism it gave to emotional sensitivity and individual subjectivity along with the glorification of all the nature and past preferring the medieval rather than the classical. For Romantics, imagination was the most important creative faculty, rather than reason.

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Long and Short Essays on Romanticism for Students and Kids in English

We are providing students with essay samples on a long essay of 500 words and a short essay of 150 words on the topic Romanticism for reference.

Long Essay on Romanticism 500 Words in English

Long Essay on Romanticism is usually given to classes 7, 8, 9, and 10.

Romanticism was an artistic period of attitude or intellectual orientation that was characterised by several works of literature music, painting, architecture, criticism and historiography in the Western Civilisation over a time period from the late 18th century to the mid-19th century.

Romanticism was first defined as the aesthetic in literary criticism around the 1800s, and it gained momentum as an artistic movement in Britain and France. Romanticism was partly a reaction to the Industrial Revolution, the political norms and noble social of the Age of Enlightenment and the scientific rationalisation of nature – all elements of modernity. It was embodied most strongly in literature, visual arts and music but had a major impact on chess, natural sciences, social sciences and education. It also had a remarkable and complex effect on politics with the romantic thinkers influencing nationalism, liberalism, conservatism and radicalism.

Romanticism can be seen as a rejection of the perception of harmony, order, calm, idealisation, balance and rationality. This typified Classism in general and Neoclassicism in particular in the late 18th century. Romanticism was also an aftermath of the French Revolution that took place in 1789. Even though often predicted as the opposition of Neoclassicism, early stages of Romanticism was shaped largely by artists trained in Jacques Louis David’s studio, including Anne Louis Girodet-Trioson, Baron Antoine Jean Gros and Jean Auguste Dominique Ingres.

The movement emphasised on intense emotions serving as an authentic source of an aesthetic experience. It gave a new emphasis to emotions such as horror, terror, apprehension and awe – especially those experienced in confronting the unique aesthetic characteristics of sublimity and nature’s beauty. Contrasting to Classicism and Rationalism of the Enlightenment, Romanticism brought back medievalism. It also brought back the elements of art and narrative perceived as truthfully medieval in the attempt at escaping population growth, industrialism and early urban sprawl. Although this artistic movement was rooted in German Sturm and Drang movement, in which emotion and intuition were preferred to the rationalism of Enlightenment, the ideologies and events of the French Revolution also served as proximate factors. It elevated ancient customs and folklore to something noble but also spontaneity as a helpful characteristic.

Romanticism gave a high value to the achievements of ‘heroic’ artists and individualists, whose example it maintained would raise the quality of the society. It also helped in promoting the individual an individual’s imagination as a critical authority gave the freedom of classical notions of forms in art. The period of Romanticism had a few elements which stood out in the Western Civilisation. Romantics had belief in individuals and the common man, and they shared their love for nature. Romanticism showed interest in the past, supernatural, gothic and bizarre things. They had great faith in the inner experience and the power of imagination.

There was a strong recourse to the natural and historical inevitability – a spirit o the age in the representation of its ideas. In the second half of the nineteenth century, Realism was offered, which served as the polar opposite of Romanticism. The decline of Romanticism started during this time which was associated with multiple processes, including political and social changes and spread of nationalism.

Short Essay on Romanticism 150 Words in English

Short Essay on Romanticism is usually given to classes 1, 2, 3, 4, 5, and 6.

Romanticism was an intellectual as well as an artistic movement that occurred in Europe between the period of the late eighteenth and mid-nineteenth centuries. Recognised broadly as a break from the Enlightenment’s guiding principles – which confirmed reason as the foundation of all the knowledge – the Romantic Movement emphasised on the importance of individual subjectivity and emotional sensitivity.

The nature of the Romantic Movement may be approached with the primary importance of free expression of the artist’s feelings. To express the feelings of the artists, Romantics believed that the content of the art should come from the imagination of the artist. Not specifically for Romanticism, there was widespread strong belief importance give to nature. This particularly affected the nature of the artist’s work, when the artist was surrounded by it – preferably alone. Contrary to the very social art of the Enlightenment, the Romantics were distrustful of the world, tended to be in close connection with nature.

10 Lines on Romanticism in English

Romanticism is not an era that can be easily defined by its techniques.
The principles of the age characterise this movement.
Over science, reason and industrialisation Romanticism gave importance to spiritualism, emotions and nature.
This period of artistic movement focused on freedom from authority over a traditional focus on society.
The period of Neoclassicism corresponds with Romanticism only in the period.
The ideals of the two movements Romanticism and Neoclassicism, were the direct opposite.
Romantic music was technically adventurous and highly innovative.
Along with showing the power of nature, many Romantic artists used their paintings to showcase natural disasters.
Most famous Romantic art depicting natural disaster was The Raft of Medusa – a masterpiece by Theodore Gericault’s.
Several paintings of the era dipped into fairy tales folklore and mythology for inspiration.

FAQ’s on Romanticism Essay

Question 1. Which is the largest defining painting of the era?

Answer: Francisco Goya’s painting El Tres de Mayo 1808 (May 3) is considered one of the largest defining paintings of the era.

Question 2. What did Romanticism focus on?

Answer: Romanticism emphasised nature, emotions, individuality and spiritualism over industrialisation, science and reasoning.

Question 3. When did Romanticism begin?

Answer: The Romantic Movement began approximately in the year 1770.

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The Romantic Period in British Literature Research Paper

Introduction, romanticism.

The Romantic period in British Literature (1780-1832) is grounded on the nexus of the Enlightenment’s encouragement of commerce, rationale, and freedom and the Victorian understanding of industrialization and realm. Romanticism, as exemplified in both artistic manufacture and cultural greeting, promoted aesthetic performance to an almost heavenly movement, a realm where the personality might counterfeit his or her very self as a principled, political, and imaginative being.

In recent periods, the sphere of Romantic researches has constantly manufactured some of the most important and wide-ranging hypothetical models for literary research and remains a vivacious and ever-progressing sphere of research.

In Lyrical Ballads (1798 and 1800), a division in literary history, William Wordsworth and Samuel Taylor Coleridge provided and illustrated a liberating aesthetic: poetry should articulate, in genuine talking, experience as sifted through individual emotion and imagination; the truest practice was to be stated in origin. The concept of the Sublime reinforced this turn to scenery, as in wild countryside the force of the sublime could be felt almost instantly. Wordsworth’s romanticism is perhaps most fully comprehended in his great autobiographical verse, “The Prelude” (1805–50). Looking for inspiring moments, romantic poets wrote about the amazing and paranormal, the from abroad, and the medieval. But they also found loveliness in the lives of plain rural people and features of the everyday surroundings.

The second generation of idealistic poets entailed John Keats, Percy Bysshe Shelley, and George Gordon, Lord Byron. In Keats’s great odes, academic and emotional responsiveness merge in a language of immense power and beauty. Shelley, who joined soaring lyricism with apocalyptic political regard, sought more tremendous effects and intermittently attained them, as in his great drama Prometheus Unbound (1820). His wife, Mary Wollstonecraft Shelley, created the greatest of the Gothic romances, Frankenstein (1818).

Lord Byron was the perfect romantic idol, the envy, and disgrace of the age. He has been repeatedly recognized with his own natures, particularly the disobedient, disrespectful, erotically predisposed Don Juan. Byron spent the romantic lyric with a rationalist irony. Minor idealistic poets entail Robert Southey – best-remembered today for his narration “Goldilocks and the Three Bears” – Leigh Hunt, Thomas Moore, and Walter Savage Landor.

The romantic period was also rich in fictional criticism and other nonfictional prose. Coleridge offered a powerful notion of literature in his Biographia Literaria (1817). William Godwin and his wife, Mary Wollstonecraft, created ground-breaking novels on human rights. William Hazlitt, who never abandoned political radicalism, created brilliant and shrewd literary criticism. The master of the individual essay was Charles Lamb, whereas Thomas De Quincey was the master of the individual confession. The journals Edinburgh Review and Blackwood’s Magazine, in which leading authors were issued throughout the century, were key forums of argument, political and also literary.

In the background of those new Romantic authors, penning their way into fictional history, we are on the cusp of the Industrial Revolution and authors were influenced by the French Revolution. William Hazlit, who issued a book called “The Spirit of the Age,” stated that the Wordsworth school of poems “had its source in the French Revolution…

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Romantic Age in English Literature

The late 18th century through the middle of the 19th century, known as the Romantic Period in English literature, was a pivotal time marked by a significant shift in socioeconomic, philosophical, and artistic perspectives. The Enlightenment ideas and the rapid industrialization triggered an intense reaction that gave rise to this era.

The Romantics defended the superiority of passion, individuality, and imagination in opposition to the Enlightenment’s focus on reason, rationality, and empiricism. They looked for inspiration and insight by delving into the depths of human emotion, the mysteries of nature, and the capacity of the human imagination. This was a shift from the Enlightenment’s belief that reason and science were the main forces behind advancement in society.

Table of Contents

Historical and Cultural Background

The cultural and historical context of the Romantic Period in English literature was greatly affected by a number of important factors that helped to define this period.

The worldview of the Romantics was significantly influenced by the French Revolution and political instability. The turbulent events of the French Revolution in the late 18th century inspired political idealism, optimism, and revolt throughout Europe. The Romantics, which included writers like William Wordsworth and Lord Byron, were profoundly influenced by the revolutionary spirit and saw in it a chance for societal transformation and the emancipation of the individual from repressive structures. However, they also had to deal with the violence and despair that frequently followed revolutionary fervor, giving rise to complicated and even contradictory perspectives on political change.

Read More: Enlightenment in English Literature

Romanticism ‘s strong affinity for the sublime and the natural world developed in response to the era’s rapid industrialization and urbanization. The natural world was valued by the Romantics as a source of creativity, comfort, and spiritual regeneration. They saw the natural world as both a haven for the human spirit and a window towards the divine. The idea of the sublime, which included both the stupendous majesty of nature and the overwhelming strength of human emotions, also emerged as a major theme in Romantic literature. John Keats and Samuel Taylor Coleridge were two authors who explored the sublime in their writings, creating sensations of both transcendence and dread.

Read More: Romanticism in English Literature

The Romantic Period was greatly influenced by technological development and socioeconomic transformations, notably the rapid industrialization of society. Although these changes helped in economic development, they also brought about social inequality, labor exploitation, and environmental deterioration. The Romantics sharply criticized these unfavorable effects and frequently illustrated how industrialization caused alienation from and a loss of connection to nature. Their works represented a yearning for a life that was less complicated, more peaceful, and in harmony with the cycles of nature.

Literature of the Romantic Period

The literature of the Romantic Period was distinguished by a wide variety of subjects and genres, which captured the significant social and cultural transformations of the time.

Poetry of Nature and Emotion: The praise of the natural world and the exploration of profound human emotions were two of the most notable and enduring features of Romantic literature. William Wordsworth , Samuel Taylor Coleridge , and John Keats were among the poets of this time who focused on the splendor and grandeur of the natural world. They regarded nature as a way to connect with more profound emotional and spiritual truths as well as a source of aesthetic inspiration. Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey” perfectly encapsulates this romanticism that is rooted in nature, while Coleridge’s “Kubla Khan” explores the mystical and surreal facets of nature. In contrast, Keats wrote odes that praised love, beauty, and mortality, as shown in poems like “Ode to a Nightingale” and “Ode on a Grecian Urn.”

Read More: Coleridge’s concept of imagination and fancy

Gothic Literature

As a result of the Romantic Era’s interest in the enigmatic, supernatural, and darker facets of human nature, Gothic literature developed into a unique and distinctive literary style. With frequent blending of the real and the supernatural, gothic literature tried to explore the eerie, the macabre, and the weird.

The ideas and aesthetic of Gothic literature from the Romantic Era are best exemplified in two classic works. The revolutionary book “ Frankenstein” by Mary Shelley, which was first published in 1818, examines the effects of scientific experimentation as well as the urge to go beyond natural limitations. Bram Stoker’s “Dracula,” published in 1897, introduced readers to the iconic vampire Count Dracula and established many of the tropes associated with vampire lore. Immortality, sexuality, and the conflict between reason and the supernatural are some of the topics that are explored in the novel.

Prose and Essays

The prose and essays of the Romantic Era were distinguished by a rich tapestry of political and philosophical writings that captured the intellectual fervor of the time. The works of authors like Thomas De Quincey and William Hazlitt, who provided profound insights into the intellectual and political currents of their period, made a substantial contribution to this genre.

Read More: John Keats as a romantic poet

Thomas De Quincey is most known for his autobiographical work “Confessions of an English Opium-Eater,” in which he explored the nature of consciousness, dreams, and the human mind in addition to revealing his struggles with addiction. The essays of De Quincey were prime examples of Romanticism ‘s preoccupation with the inner workings of the human soul. The prolific essayist William Hazlitt, on the other hand, wrote essays like “Table-Talk” and “The Spirit of the Age,” which offered scathing comments on the literary figures and cultural trends of the day. Hazlitt became a recognized figure in both literary and political circles due to his essays which were distinguished by their eloquence and impassioned engagement with the events of the day.

Key Themes and Characteristics

The Romantic Period’s focus on individualism and the unrestrained power of the human imagination was one of its most important and enduring literary themes. Romantic authors fought for the idea that every person has a special inner world of emotions, creativity, and imagination that should be honored and expressed.

Romantic literature frequently explored the complexity of love, passion, sorrow, and wonder by delving into the depths of human emotions. John Keats’ poetry , for example, is a prime example of the Romantic movement’s preoccupation with the depth of human emotion. The Romantic confidence in the capacity of the individual imagination to handle life’s difficulties was typified by Keats’ discovery of the “negative capability,” the capacity to embrace doubt and uncertainty.

Read More: John Keats concept of negative capability

The Romantics also praised the power of unrestrained imagination and creativity as transformational forces that could shape the world and inspire social reform. For instance, William Blake’s poetry has a visionary aspect and envisioned a universe in which the human mind might go beyond the bounds of the real world.

Idealization of Nature

The Romantic Era was characterized by a deep and idealized relationship to nature, with poets and writers of the time praising nature as a source of creativity, consolation, and spiritual rejuvenation. This idealization of nature was a powerful response to the era’s rapid urbanization and industrialization.

Nature as a source of inspiration and solace: Romantic authors found in nature an endless fountain of inspiration for their imagination. They were inspired by the beauty, wonder, and amazement of the natural world. Poets like William Wordsworth saw nature as a living thing with profound significance rather than merely a picturesque backdrop. His well-known poem “Lines Composed a Few Miles Above Tintern Abbey” examines the healing potential of nature and how it might help people feel more connected to a higher, more transcendent reality. Similar to this, Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” investigates the spiritual aspects of nature by using the natural world as a setting for ethical and metaphysical exploration.

Rebellion Against Convention

The romantic era witnessed authors and artists resist against convention by criticizing society norms and institutions while promoting nonconformity and artistic independence.

Critique of societal norms and institutions: Romantics had an extremely critical view of the institutions and societal norms of their time. They questioned established religion’s restrictions, rigid social systems, and restrictions on personal freedom. For instance, Lord Byron’s poem “Childe Harold’s Pilgrimage” reflected a mood of discontent with the existing quo by expressing a sense of disappointment with the social and political order. The Romantics frequently disagreed with the established systems of society and expressed their dissatisfaction at the limitations imposed on free speech and creativity.

Percy Bysshe Shelley’s writings exhibit this attitude of defiance against tradition, notably in his poem “Ode to the West Wind,” in which he yearns for the wind’s ability to “Make me thy Lyre, even as the forests are.” The Romantic ideal of a more emancipated and harmonious existence is reflected in Shelley’s demand for a peaceful coexistence with nature’s powers.

Notable Figures of the Romantic Period

William Wordsworth is often regarded as one of the foundational figures of the Romantic movement. His poems emphasized the importance of individual experience and emotions in artistic creation while praising the splendor and strength of nature. His work on the “Lyrical Ballads” with Samuel Taylor Coleridge is regarded as a turning point in Romantic literature, and his poem “I Wandered Lonely as a Cloud” continues to be one of the most celebrated examples of the Romantic idealization of nature.

Wordsworth’s close friend and fellow poet Samuel Taylor Coleridge is renowned for his inventive and lyrical poetry. A masterwork of Romantic literature, his poem “The Rime of the Ancient Mariner” explores themes of guilt, atonement, and the supernatural. Coleridge’s writings also explored the fields of philosophy and literary criticism, significantly enhancing the Romantic Era’s intellectual landscape.

Lord Byron was a well-known poet and leader of the Romantic movement. Byron, who was famous for his audacious and ferocious poems, frequently explored themes of love, revolt, and independence. Both his narrative poem “Childe Harold’s Pilgrimage” and his dramatic poem “Manfred” demonstrate his connection with Romantic ideals of individual independence and criticism of social norms.

John Keats had a profound impact on Romantic poetry despite having a brief life. His odes, such as “Ode to a Nightingale” and “Ode on a Grecian Urn,” are praised for their examination of beauty, death, and the sublime force of art.

Conclusion:

In conclusion, the Romantic Period in English literature is seen as a transformative and significant period that had a profound impact on both the literary world and the larger cultural consciousness. The writings of renowned figures like Wordsworth, Coleridge , Shelley, Byron, and Keats during this time were characterized by the flourishing of important topics like the celebration of individualism and imagination, the idealization of nature, revolt against convention, and the search for personal independence. The legacy of the Romantic Era stands as a tribute to the enduring human spirit, the limitless power of the imagination, and the ageless pursuit of freedom and self-expression. It is a significant and cherished chapter in the ever-evolving history of English literature and culture because its themes and values are still relevant in modern literature and art.

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