gender roles in the yellow wallpaper essays

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The Yellow Wallpaper

Charlotte perkins gilman.

Alongside its exploration of mental illness, The Yellow Wallpaper offers a critique of traditional gender roles as they were defined during the late nineteenth century, the time in which the story is set and was written. Charlotte Perkins Gilman was a prominent feminist, who rejected the trappings of traditional domestic life and published extensively about the role of women in society, and saw the gender roles of the time as horribly stifling.

The story’s family unit falls along traditional lines. John , the husband, is rational, practically minded, protective, and the ultimate decision maker in the couple. He infantilizes his wife, referring to her as his ‘little girl’ and brushing off her complaints. However, John is not purely the irredeemable villain of the story. Rather, we see how his ability to communicate effectively with his wife is constrained by the structure of their gender roles. This is an important point: John’s happiness is also ruined by the strictures of traditional domestic life.

The narrator , his wife, is confined to the home, not allowed to work (or to write), and considered by her husband to be fragile, emotional, and self-indulgent. Differing readings of the text’s sarcasm lead to different interpretations of her voluntary submission to this role, but it is clear that her forced inactivity was abhorrent to her. The diary becomes a symbol of her rebellion against John’s commands. The willingness of John’s sister, Jennie , to submit to her domestic role in the home only increases the narrator’s guilt at her own dissatisfaction.

The mysterious figure of a woman trapped behind the yellow wallpaper becomes a symbol for the ways in which the narrator herself feels trapped by her role in the family. The narrator’s urgent desire to free this woman, and to hide her existence from John and Jennie, leads to her raving final breakdown as she tears the paper, ‘creeping’ around the room and over her husband – who, in a reversal of their traditional roles as strong protector and fragile child, has fainted in shock at the sight of his wife.

Gender Roles and Domestic Life ThemeTracker

Gender Roles and Domestic Life Quotes in The Yellow Wallpaper

John laughs at me, of course, but one expects that in marriage.

John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do?

He is very careful and loving, and hardly lets me stir without special direction.

I have a schedule prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more. He said we came here solely on my account, that I was to have perfect rest and all the air I could get.

John is away all day, and even some nights when his cases are serious. I am glad my case is not serious! But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no REASON to suffer, and that satisfies him.

There comes John's sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing. She is a perfect and enthusiastic housekeeper, and hopes for no better profession. I verily believe she thinks it is the writing which made me sick!

Dear John! He loves me very dearly, and hates to have me sick. I tried to have a real earnest reasonable talk with him the other day, and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I wasn't able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished.

If we had not used it, that blessed child would have! What a fortunate escape! Why, I wouldn't have a child of mine, an impressionable little thing, live in such a room for worlds. I never thought of it before, but it is lucky that John kept me here after all, I can stand it so much easier than a baby, you see.

Of course if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know. You are gaining flesh and color, your appetite is better, I feel really much easier about you.

At night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be.

And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so; I think that is why it has so many heads.

I am getting angry enough to do something desperate. To jump out of the window would be admirable exercise, but the bars are too strong even to try. Besides I wouldn't do it. Of course not. I know well enough that a step like that is improper and might be misconstrued.

I suppose I shall have to get back behind the pattern when it comes night, and that is hard! It is so pleasant to be out in this great room and creep around as I please! I don't want to go outside. I won't, even if Jennie asks me to. For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way.

"I've got out at last," said I, "in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!

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Discuss the theme of gender roles in Charlotte Perkins Gilman’s The Yellow Wallpaper

Table of Contents

Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper,” published in 1892, presents a powerful critique of gender roles prevalent in the Victorian era. Through the perspective of the protagonist, the story explores the detrimental effects of rigid gender expectations on women’s mental and emotional well-being.

Theme of gender roles in The Yellow Wallpaper:- This essay will delve into the theme of gender roles in “The Yellow Wallpaper,” analyzing the portrayal of the protagonist’s descent into madness as a result of the oppressive patriarchal society.

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The Subjugation of Women:

Theme of gender roles in The Yellow Wallpaper:- “The Yellow Wallpaper” portrays the subjugation of women within a male-dominated society. The narrator, an unnamed woman, is confined to a room and prohibited from engaging in intellectual and creative activities. Her husband, John, who is also her physician, dictates her routine and dismisses her concerns, invalidating her experiences. This confinement and suppression of her desires symbolize the restrictive gender roles women faced during the Victorian era.

The “Angel in the House” Ideal:

Theme of gender roles in The Yellow Wallpaper:- Gilman challenges the prevailing concept of the “Angel in the House,” an idealized vision of femininity that promoted selflessness, submission, and domesticity. The protagonist is expected to embody this ideal, neglecting her own needs and desires for the sake of others. However, this ideal perpetuates a sense of helplessness and confinement for women, as they are denied autonomy and self-expression.

The Rest Cure and Hysteria:

“The Yellow Wallpaper” explores the connection between gender roles and the medical treatment of women during the Victorian era. The protagonist is prescribed the “rest cure,” a popular treatment for hysteria at the time. This treatment enforces strict rest, isolation, and the avoidance of mental stimulation. Through the protagonist’s journal entries, the story reveals the adverse effects of such a treatment, as she gradually descends into madness due to the lack of intellectual and creative outlets.

The Symbolism of the Wallpaper:

Theme of gender roles in The Yellow Wallpaper:- The yellow wallpaper in the protagonist’s room becomes a symbol of her entrapment and deteriorating mental state. As she becomes increasingly obsessed with the wallpaper, she sees a woman trapped behind its pattern, attempting to escape. The wallpaper’s creeping pattern mirrors the creeping oppression of gender roles, emphasizing the protagonist’s growing rebellion against societal expectations.

The Female Body and Identity:

Gilman’s story explores the connection between women’s physical and mental well-being. The protagonist’s obsession with the wallpaper and her eventual identification with the woman behind it signify her struggle to reclaim her agency and identity. By tearing down the wallpaper, she seeks to break free from the confines of gender roles and reclaim her autonomy.

The Yellow Wallpaper “Themes”

Theme of gender roles in The Yellow Wallpaper:- “The Yellow Wallpaper” by Charlotte Perkins Gilman explores several significant themes that are relevant to the social and cultural context of the late 19th century and continue to resonate today. In this essay, we will delve into the key themes of gender inequality, the oppression of women, the stifling of creativity, the dangers of social isolation, and the power of self-expression that are portrayed in the story.

One of the central themes in “The Yellow Wallpaper” is gender inequality. The story reflects the patriarchal power structures prevalent during the time, where women were often confined to domestic roles and denied autonomy. The protagonist, whose name is not explicitly mentioned, is subjected to her husband’s control and dismissive treatment of her thoughts and emotions. She is restricted from engaging in activities that would stimulate her intellect or provide creative outlets. Through her experiences, the story highlights the systemic inequality and limitations placed on women’s agency and self-expression.

Theme of gender roles in The Yellow Wallpaper:- Linked to the theme of gender inequality is the oppression of women. The protagonist is silenced and confined by her husband and society’s expectations. She is denied the freedom to express her own desires, thoughts, and emotions, resulting in the deterioration of her mental health.

T he story critiques the ways in which women were relegated to subservient roles, expected to conform to societal norms and expectations, and suppressed both physically and emotionally. It exposes the damaging effects of such oppression on women’s well-being and the need for their voices to be heard and respected.

“The Yellow Wallpaper” also addresses the stifling of creativity. The protagonist, who is a writer, is denied access to her creative pursuits as part of her treatment for her supposed nervous condition. Her husband dismisses her writing as mere fantasy and insists on her engaging in the rest cure, which involves secluding her in a room with the titular yellow wallpaper.

This restriction not only curtails her creative outlet but also exacerbates her mental decline. The story critiques the societal belief that women’s creative endeavors were frivolous and secondary to their prescribed domestic roles. It highlights the importance of nurturing and valuing women’s intellectual and creative capabilities.

Theme of gender roles in The Yellow Wallpaper:- Another significant theme in the story is the dangers of social isolation. The protagonist is confined to a room with barred windows and stripped of any meaningful social interaction. She is isolated from her friends, family, and the outside world. As a result, she becomes increasingly absorbed in her own thoughts and fixates on the yellow wallpaper in the room. The prolonged isolation intensifies her sense of detachment and contributes to her descent into madness. This theme serves as a cautionary tale, illustrating the detrimental effects of social isolation on mental health and emphasizing the need for human connection and meaningful social interactions.

The theme of self-expression and the power of one’s voice is also prominent in “The Yellow Wallpaper.” The protagonist’s voice is suppressed, dismissed, and ultimately distorted. As her mental state deteriorates, her narration becomes increasingly fragmented and unreliable.

This mirrors the broader suppression of women’s voices in society, where their perspectives and experiences were often marginalized or dismissed. The story emphasizes the importance of self-expression and the agency to speak one’s truth, advocating for the recognition and empowerment of women’s voices.

Theme of gender roles in The Yellow Wallpaper:- Furthermore, “The Yellow Wallpaper” explores the theme of the male-dominated medical establishment and its harmful treatment of women’s mental health. The protagonist’s husband, who is also a physician, dismisses her concerns and prescribes the rest cure. This treatment involved isolating women, limiting their activities, and denying them intellectual stimulation. The story critiques the medical practices of the time, highlighting the disregard for women’s autonomy and well-being. It exposes the damaging consequences of such treatments and calls for a reevaluation of the patriarchal medical establishment.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” serves as a poignant exploration of gender roles and their damaging consequences on women’s lives. Through the protagonist’s harrowing journey into madness, Gilman sheds light on the oppressive nature of patriarchal society and challenges the restrictive expectations placed upon women during the Victorian era.

The story critiques the subjugation of women, the idealized concept of the “Angel in the House,” and the medical treatments imposed upon women to enforce conformity.

By using powerful symbolism, such as the yellow wallpaper, Gilman underscores the entrapment and deterioration of the protagonist’s mental state, mirroring the creeping oppression of gender roles. The wallpaper becomes a physical manifestation of the protagonist’s struggle to break free from societal expectations and reclaim her agency and identity.

“The Yellow Wallpaper” remains relevant today, as it prompts us to question and challenge gender roles and advocate for equality and autonomy for women. Gilman’s work serves as a reminder of the importance of dismantling oppressive systems that confine and suppress individuals based on their gender. By confronting these issues, society can strive towards creating a more inclusive and equitable future.

Q: What is “The Yellow Wallpaper” about?

A: “The Yellow Wallpaper” is a short story written by Charlotte Perkins Gilman in 1892. It follows the descent into madness of a woman confined to a room by her husband. The story addresses themes of gender inequality, the oppression of women, and the effects of social isolation on mental health.

Q: What is the significance of the yellow wallpaper in the story?

A: The yellow wallpaper symbolizes the narrator’s deteriorating mental state. Initially, she finds the wallpaper unattractive and becomes fixated on its pattern. As the story progresses, her obsession with the wallpaper intensifies, reflecting her declining mental stability. The wallpaper’s symbolism also represents the societal constraints imposed on women during the time period, as the narrator feels trapped and oppressed, much like the woman she sees trapped behind the pattern.

Q: How does “The Yellow Wallpaper” address the issue of gender inequality?

A: “The Yellow Wallpaper” explores the gender inequality prevalent in the late 19th century. The protagonist is confined and controlled by her husband, who dismisses her thoughts and desires, prescribing rest and seclusion instead. The story criticizes the patriarchal power structures that limited women’s autonomy and silenced their voices, depicting the damaging effects of such oppression on women’s mental well-being.

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Women Have Nothing to Lose but Their Chains: “The Yellow Wallpaper” by Charlotte Perkins Gilman

Charlotte Perkins Gilman approaches attitudes regarding gender and mental health in her 1892 short story, “The Yellow Wallpaper.” Through her diary entries, Gilman illustrates the life of a woman who we assume to be named Jane, who has traveled to a colonial mansion with her physician husband, John, in order to alleviate her illness. Jane’s self-perception of her health is slowly shattered by John’s arrogant and neglectful reactions. Jane’s mental state deteriorates as she becomes infatuated with the wallpaper in her room which permeates every facet of her mind. Jane is powerless in obtaining the mental and emotional support she needs due to the unquestioned patriarchal order that is sustained throughout the story. Gilman’s portrayal of Jane critiques this patriarchal order that was omnipresent in the late 19 th century and serves as a message to women that they need to resist those who perpetuate gender inequality.

Throughout the story, it is obvious that John has little respect or care for his wife’s emotional wellbeing. Because he is a physician and a man, he believes that his opinion is worth more than his wife’s. From the beginning of the story, Jane is cognizant of her husband’s apathetic tendencies, yet is even more aware of her lack of power in her situation. She states, “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?” (pg. 2). Jane’s recognition of this power inequality combined with her demoralized reaction is evidence that the patriarchal standards were never to be challenged. Jane repeats the phrase, “what is one to do?” a few lines later when she writes, “Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good. But what is one to do?” (pg. 2). In a situation where she is desperate to be heard, the oppressive patriarchy silences her. Her question will never be answered so long as those who uphold gender norms dictate society.

John is excellent at using his position of authority to discard any and all of Jane’s self-perception. While Jane’s mental state is becoming increasingly unstable as she becomes infatuated with the yellow wallpaper, John manipulates her and exacerbates her mental crisis. He attempts to comfort Jane despite ignoring every objection of hers by stating, “I am a doctor, dear, and I know. You are gaining flesh and color, your appetite is better. I feel really much easier about you” (pg. 8). John and his proclaimed expertise contradict the very real and destructive deterioration of Jane’s mental health. His assertion of “I know” takes a toll on Jane as she is led to question what it is that she truly knows about herself. In a last attempt to protest that she is mentally unwell, she is instantly cut off by John who proclaims, “There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you not trust me as a physician when I tell you so?” (pg. 9). This attitude of condescension is the breaking point for Jane. At this moment, any hope for Jane to receive the help that is necessary for her rehabilitation is shattered, as her mental state descends into a downward spiral.

As Jane’s fixation on the wallpaper becomes ever more acute, she begins to imagine that there are women trapped behind its surface. She ponders, “Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over” (pg. 11). The women that are locked in the wallpaper are those that have been oppressed by the severe inequality perpetuated by the patriarchy. Jane is present among these women and she knows that she must break out of the chains of oppression that have enslaved her. Jane compares the wallpaper to a prison cell when she writes, “in the very shady spots she just takes hold of the bars and shakes them hard” (pg. 11). Gilman’s decision to portray the wallpaper as a prison cell expresses her feelings of confinement regarding society’s perception of women and their mental health.

The story concludes with the violent finale when Jane theatrically shreds the yellow wallpaper. At this moment, Jane is at the peak of her mental disarray, and when she has finally decided that she must break free from the chains that John has subjugated upon her. She yells at John, “I’ve pulled off most of the paper, so you can’t put me back!” Gilman uses this act of violence and resistance to highlight the only solution that was left to Jane. After exhausting all of her resources, John left no choice for Jane but for her to violently shred through the wallpaper, freeing herself from the strangle of the patriarchy.

Through “The Yellow Wallpaper,” Charlotte Perkins Gilman is making a fervent and direct assertion: the patriarchy will never yield to the demands of women. Gilman uses Jane and her futile attempts to persuade John to listen to her in order to reach this assertion. The solution to this is present in the violent conclusion, where Jane rips through the yellow wallpaper in an attempt to free women from the oppressive patriarchy. Gilman is signaling to her readers that the structures in society that continue to oppress women must collapse. To achieve this, women must resist the patriarchy, even if violence is necessary. In essence, Gilman is proclaiming that women have nothing to lose but their chains.

Works Cited:

Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Project Gutenberg , 1 Nov. 1999, www.gutenberg.org/ebooks/1952?msg=welcome_stranger. 

“Millions around the World Take to the Streets for International Women’s Day.” YouTube , uploaded by Democracy Now!, 9 Mar. 2020, www.youtube.com/watch?v=j2ISyOgJuqg&t=132s.

“Sad Piano – Struggle.” YouTube , uploaded by Lucas King, 31 Mar. 2020, www.youtube.com/watch?v=Zs9dbZMkKJg.

“The Yellow Wallpaper.” YouTube , uploaded by Joshua Cantrell, 10 Oct. 2017, www.youtube.com/watch?v=xhcLaM-Ig84.

“Women of the World Unite.” Feminist Current , 27 June 2016, www.feministcurrent.com/2016/03/21/are-we-there-yet/130614_5e69z_rci-statusquo-karencho_sn6351/.

“Women’s Suffrage.” Brittanica , www.britannica.com/topic/woman-suffrage.

Featured Image:

Macallister, Greer. “The Lesser Known Life Behind’The Yellow Wallpaper.’” Literary Hub , 21 Mar. 2019, lithub.com/the-lesser-known-life-behindthe-yellow-wallpaper/.

Home — Essay Samples — Literature — The Yellow Wallpaper — Analysis Of Feminism In ‘The Yellow Wallpaper’ By Charlotte Perkins Gilman

Analysis of Feminism in 'The Yellow Wallpaper' by Charlotte Perkins Gilman

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Feminist Perspective on “The Yellow Wallpaper” Essay

Introduction, feminist critique of the yellow wallpaper, works cited.

The short play, The Yellow Wallpaper , by Charlotte Perkins Gilman is based on the lives of a chauvinistic husband and a sick wife. The over-dominating nature of the husband called John makes the environment unbearable for the mentally ill wife Jane. The wife is involuntarily imprisoned by the chauvinistic nature of her husband who would not listen to any of her suggestions. Moreover, John is quick at relating any of her ‘weak ‘ideas to mental illness. This paper presents a critique of the play The Yellow Wallpaper from a feminist perspective by applying symbolism to understand the 1800s society.

Detained in a mental prison as a result of the machination of her husband, the main protagonist Jane is deeply embodied in an unending struggle that women seeking freedom in their thoughts and actions face. The short play The Yellow Wallpaper is written figuratively to connote the gender struggle between men and women, especially in the institution of marriage. Although an open interpretation would denote a psychological thriller, it is apparent that the play was mainly a commentary on the unfortunate conditions of the women population in the 1800s. Especially, it captures the views of the author of how the then patriarchal society was hurting female freedom. For instance, the character of Jane’s chauvinist husband connotes an over-controlling person who cares very little about the thoughts of his wife. He proceeds to confine Jane in an oppressive environment against her will and would not listen to any of her suggestions (Schroder 39). In the conversations, John’s decision is final and cannot be debated by Jane. Although the wife has attempted on several occasions to confront John to change his stand, the conversations often end with the husband reaffirming an antagonist stand (Schroder 41). From a feminist perspective, John’s dominance in the conversations and decision-making on behalf of Jane is representational of female imprisonment and control by men against their will.

From the interaction between John and Jane, the husband is a typical illustration of a spouse who has mastered the art of absolute control. Specifically, he treats Jane as an inferior partner. The wife says that “John laughs at me, of course, but one expects that in a marriage” (Gilman 1). In the view of the husband, Jane is a partner with weird, laughable, and inconsistent ideas which should not be taken seriously. Moreover, the mockery directed at the sick wife conforms to the expectations of the patriarchal society. However, the dominance is challenged when Jane decided to take command of her thoughts. As a result, the authoritative male figure was trimmed down and he became ‘as weak as a woman’. Jane confesses, “Now why should that man have fainted” (Gilman 17). When John saw the transformation of his wife to an independent thinker, he passes out. He could not believe that a woman could challenge his decision. In this scene, Jane reversed the traditional expectations characterized by male control of the thoughts of women (Golden 23). The shock and eventual fainting of John are triggered by the desire to overexert control over his wife. The husband is determined to conform to the expectations of patriarchal society through exerting dominance in his household.

The ideas and thoughts of Jane are representative of the feminist perspective. For instance, she desires to freely express her thoughts against the barriers imposed by society. Jane is defiant and confesses that “I did write for a while in spite of them” (Gilman 1). As a woman, Jane is depressed until she regains the ability to express her feelings in the hidden journal she is writing. Although she can continue scripting in hiding, Jane is depressed by the need to conceal her activities away from the chauvinistic husband. Specifically, Jane is struggling to remain in the full care of her husband. For instance, she says “he takes all care from me, and so I feel basely ungrateful to value it more” (Gilman 2). Though the actions of the husband to pay the bills are good, Jane’s resentment is figurative of the resulting feeling of uselessness and imprisonment of the female gender (Tischleder 13). Just like other women, Jane feels the negative pressure imposed on her by society to worship the husband as a primary provider.

The entire plot of the play is exposed in a room that reminisces insanity and scorn from the perspective of a feminist. The empty and dull room is accentuated through the surrounding of Jane in thoughts and actions. For instance, her description of the room is emblematic of a prison-like environment where Jane’s requests cannot be heeded. When she requests the husband to consider repainting the walls, Jane gets a negative response from John. The husband says “that after the wall-paper was changed, it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on” (Gilman 3).

The unwillingness to change Jane’s environment is figurative of the desire of John to continue imprisoning her from free expression. Moreover, the description of the wallpaper is also symbolic of a psychological prison. Jane confesses that “at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars” (Gilman 10). Across the play, Jane’s thoughts are concentrated on the wallpaper, and only gets relief when she removes it from the wall. Jane is captivated by the wallpaper to a point that she is unable to ignore the strange pattern on it. She later connected to the perceived image of a trapped woman in the background of the wallpaper (Goodman 18). Jane only gets relief after she gets rid of the paper. From a feminist perspective, the actions of Jane aimed at regaining control over thoughts and actions are representational female emancipation from the yoke of male dominance.

The Yellow Wallpaper story portrays a patriarchal society where men control the actions and thoughts of their wives. In this relationship, women are expected to take orders from men whose decisions are final. The author has expressed underlying feminist perspectives to illustrate the mental and physical hardships encountered by women during the 1800 era. These perspectives are hidden in the dominating actions of John, hidden thoughts of his wife Jane, and the room where the plot is played. However, Jane is determined to escape this prison by directing her thoughts in a hidden journal. Gilman has reflected on the psychological and physical imprisonment of the women through the symbolic use of the wallpaper, poorly painted room, and mental illness.

Gilman, Charlotte. The Yellow Wallpaper . Virago, 1981.

Golden, Catherine, editor. Charlotte Perkins Gilman’s The Yellow Wall-Paper: A Sourcebook and Critical Edition . Routledge, 2013.

Goodman, Lizbeth. Literature and Gender . Routledge, 2013.

Schroder, Marie. Charlotte Perkins Gilman’s the Yellow Wall-Paper from a Feminist Perspective. A Woman’s Place in a Patriarchal World . GRIN Publishing, 2016.

Tischleder, Babette. The Literary Life of Things: Case Studies in American Fiction . Campus Vergal, 2014.

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IvyPanda. (2021, May 29). Feminist Perspective on "The Yellow Wallpaper". https://ivypanda.com/essays/feminist-perspective-on-the-yellow-wallpaper/

"Feminist Perspective on "The Yellow Wallpaper"." IvyPanda , 29 May 2021, ivypanda.com/essays/feminist-perspective-on-the-yellow-wallpaper/.

IvyPanda . (2021) 'Feminist Perspective on "The Yellow Wallpaper"'. 29 May.

IvyPanda . 2021. "Feminist Perspective on "The Yellow Wallpaper"." May 29, 2021. https://ivypanda.com/essays/feminist-perspective-on-the-yellow-wallpaper/.

1. IvyPanda . "Feminist Perspective on "The Yellow Wallpaper"." May 29, 2021. https://ivypanda.com/essays/feminist-perspective-on-the-yellow-wallpaper/.

Bibliography

IvyPanda . "Feminist Perspective on "The Yellow Wallpaper"." May 29, 2021. https://ivypanda.com/essays/feminist-perspective-on-the-yellow-wallpaper/.

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