photoshop tools assignment answers

Photoshop » Basics » Tools » Every Photoshop Tool Explained

Every photoshop tool explained.

To use Photoshop for photo editing and graphic design effectively, you need to know Photoshop tools. The tools, found in the Toolbar on the left-hand side, allow you to edit and manipulate images and make designs from scratch. In this article, I explain each tool and what it’s best used for.

Whether you are a beginner opening Photoshop for the first time or a seasoned user, this article has something for you. Adobe is constantly updating the program, and in some updates, new tools appear, and you may not be familiar with what the tool does. Here is all you need to know about the current Photoshop tools.

Table of Contents

How Many Tools Are In Photoshop?

Adobe does a significant upgrade of its software every six months or so, and some of these upgrades include new tools for Photoshop. So while there are currently 69 tools in Photoshop 2022 version 23.5.0, this may change in the future.

You can find the tools in the Toolbar , either from the visible icon or within the hidden panel, which I will discuss how to access shortly.

Understanding The Toolbar In Photoshop

By default, the Toolbar is located on the left-hand side of the Photoshop workspace. If your Toolbar isn’t visible and you can’t find it, navigate to Window > Tools . The bar is visible in your workspace when there is a checkmark next to Tools .

You can expand the Toolbar or keep it tight against the side of the workspace. Use the double arrow icon at the top of the Toolbar to expand or contract the bar. This icon changes the Toolbar from keeping the icons in a single or double row.

The visible icons aren’t the only tools available for you to use. The small arrow below the tool icon shows the tools that contain other hidden tools.

You can access hidden tools by clicking and holding on an icon to open the fly-out menu, which contains other tools in the group. 

Photoshop also offers Rich Tooltips for each tool in the Toolbar. These tips give you the name of the tool, the shortcut, a brief description, and a quick video showing the tool in action. You can access these tips by hovering your mouse over a tool icon until a window shows you the information.

Click on Learn More to open the Discover dialogue box , which has a more in-depth explanation of the tool.

Summary Of Every Tool In Photoshop

Learning to master each tool takes some understanding and plenty of practice. Here is a summary of every tool in the Photoshop Toolbar to give you an idea of how it works and why you would use it.

The Selection Tools

The first group of tools is used to move layers and objects or make selections of various elements.

– Move Tool (V)

The Move Tool ( V ) is at the top of the Toolbar and is used to move layers, selections, and guides around the canvas or artboard. 

Select the Move Tool and click on a layer or element to move it around. This tool is key to organizing the objects on your canvas. For instance, I can use the tool to move the circle behind the dog graphic into the position I want.

– Artboard Tool (V)

The Artboard Tool ( V ) is valuable when using artboards instead of a single canvas. The tool allows you to move and create artboards.

When the Artboard Tool is active, you can change various settings in the Options bar and add new artboards in the workspace.

– Rectangular Marquee Tool (M)

You can use the Rectangular Marquee Tool ( M ) to create rectangular or square-shaped selections on the canvas. Hold in Shift while creating the selection to make a square shape.

Once you have made the selection, you can cut out objects, add selective adjustments to the image, and much more. The limitation of this tool is the shape, although it is useful to make a quick selection in this shape.

You can then cut the selection out of the image by adding a layer mask or adding an adjustment to the selection.

– Elliptical Marquee Tool (M)

You can find the Elliptical Marquee Tool ( M ) in the Marquee Tool group, which functions similarly to the Rectangular Marquee Tool. However, this tool is in an elliptical shape, and you can create a circle by holding Shift while making the selection.

This tool is best used for making circular selections on the canvas. 

You can then use the selection as needed, such as cropping the layer.

– Single Row Marquee Tool

The Single Row Marquee Tool functions like the other Marquee Tools, except it creates a one-pixel thick selection across the whole canvas.

– Single Column Marquee Tool

The Single Column Marquee Tool creates a vertical line across the canvas that is one pixel wide.

– Lasso Tool (L)

The Lasso Tool ( L ) is the next icon on the Toolbar and is a freeform selection tool.

You can use the Lasso Tool to create rough selections on the canvas by clicking and dragging around the area. This tool is excellent for making quick selections and adjustments, such as selectively changing a color. For example, I changed the woman’s tights without affecting the top.

– Polygonal Lasso Tool (L)

The Polygonal Lasso Tool ( L ) also creates freeform selections.

However, this tool keeps the lines straight, allowing you to create straight-lined selections.

You can get creative by slicing text using this tool or cutting rough but straight-lined selections out of your image.

– Magnetic Lasso Tool (L)

The Magnetic Lasso Tool ( L ) is a more intuitive lasso selection tool, which is excellent for making selections around complex objects with precise edges, especially when you need a quicker solution than the Pen Tool.

This tool uses AI to detect the edges of an object in the image to create a more precise selection. To use the tool, click and drag close to the subject’s edge, and the selection snaps to the edge.

– Object Selection Tool (W)

The Object Selection Tool ( W ) is the fastest tool to make a selection when there is a prominent object in your image.

Use this tool by clicking on the object in your photo. The Object Selection Tool is an excellent choice for selecting multiple objects in an image or quickly removing the background from a picture.

– Quick Selection Tool (W)

The Quick Selection Tool ( W ) is another intuitive selection tool that detects edges in the image while you paint over the area using a brush.

Use the tool by clicking and dragging around the object you want to select, and Photoshop will detect the most likely edges of the selection. You can keep painting over the area to select more pixels.

This tool is best used when there are precise edges, and you only need a rough selection.

– Magic Wand Tool (W)

The Magic Wand Tool ( W ) selects pixels in an image based on color. Use this tool to select a color accurately and its various shades in a picture.

To use the tool, click on the color you want to be selected, and Photoshop only selects that color in the picture and other colors are left unselected. You can use this tool to change a particular color in an image without affecting the rest.

Crop And Slice Tools

The Crop and Slice Tools are used to cut the image by cropping the sides or slicing an area to save it separately from the entire picture.

– Crop Tool (C)

The Crop Tool ( C ) crops your image to a freeform ratio or a set size or ratio. You can use this tool to crop or straighten images .

Use this tool by dragging the handles inwards to crop the image. The best use for this tool is to remove unwanted distractions around the edges of an image or to change the photo ratio .

– Perspective Crop Tool (C)

The Perspective Crop Tool ( C ) also trims the image, except you can change the perspective of the cropped area.

Use each anchor point of the crop box to warp the area you are trimming as needed.

– Slice Tool (C)

The Slice Tool ( C ) creates slices on an image that you can extract and save separately to the picture without committing to a crop.

Click and drag to create a slice around the object in the image. 

– Slice Select Tool (C)

Use the Slice Select Tool ( C ) to select and move a slice around the photo to a new spot.

– Frame Tool (K)

The Frame Tool ( K ) creates a rectangle, square, elliptical, or circle frame onto the canvas.

Once you click and drag to create a frame, you can easily add an image into the frame by going to File > Place Embedded .

Measuring Tools

Use the measuring tools to measure the canvas, add notes, or sample various colors.

– Eyedropper Tool (I)

The Eyedropper Tool ( I ) samples colors on the image.

Use this tool by clicking on a color in the image. The color is then added as your foreground color, and you can save it or use it to create new elements.

– 3D Material Eyedropper Tool (I)

The 3D Material Eyedropper Tool ( I ) samples colors and textures in the 3D workspace.

Photoshop is discontinuing the 3D functionality, and users can use Adobe’s Substance line for these capabilities.

– Color Sampler Tool (I)

The Color Sampler Tool ( I ) samples up to 10 different colors and displays the values.

– Ruler Tool (I)

The Ruler Tool ( I ) creates a temporary straight line on the canvas.

Click and drag a line on the canvas to add the ruler. You can then use this temporary line to measure angles, distances, and straight lines.

– Note Tool (I) 

The Note Tool ( I ) allows you to add temporary notes to specific areas of the image.

This tool helps give team members instructions to edit an image or to provide feedback on edits.

– Count Tool (I)

The Count Tool ( I ) adds temporary numbers to the image by clicking on the area to add a number.

You can use the Count Tool to count objects in an image or to point out editing areas for other team members.

Retouching Tools

Photoshop offers multiple retouching tools to remove an image’s blemishes, distracting objects, and minor imperfections.

– Spot Healing Brush Tool (J)

The Spot Healing Brush Tool ( J ) removes blemishes and marks with a click or brush stroke.

To use the tool, click on a spot or brush over an area, and Photoshop replaces the pixels with the closest match.

– Healing Brush Tool (J)

The Healing Brush Tool ( J ) covers marks and blemishes with sampled pixels.

To use the tool, hold in Alt (Win) or Option (Mac) to sample an area. Then click on the spot you want to cover with the sampled pixels. Use this tool when you want control over the replaced pixels when covering blemishes.

– Patch Tool (J)

The Patch Tool ( J ) fixes imperfections in an area by blending pixels from a sample or pattern.

First, use a lasso selection to section an area, then drag the selection to where you want to replace the initial selection. The tool blends the pixels but isn’t as accurate when used on skin tones.

– Content-Aware Move Tool (J)

The Content-Aware Tool ( J ) allows you to move objects in an image.

Create a rough selection around the object and drag it to a new spot. Photoshop will blend the object as best as possible into the new area.

– Red Eye Tool (J)

The Red Eye Tool ( J ) removes the red reflection in a person’s eye caused by the flash of a camera. All you need to do is click on the red eye or drag the block around the eye.

– Clone Stamp Tool (S)

The Clone Stamp Tool ( S ) intuitively copies an object in a photo and pastes it in a new location.

First, hold Alt (Win) or Option (Mac) to sample an area, then click on the new location to paste the copied pixels. 

– Pattern Stamp Tool (S)

The Pattern Stamp Tool ( S ) paints a chosen pattern onto the canvas.

– Eraser Tool (E)

The Eraser Tool ( E ) destructively deletes pixels from the canvas. Drag over the pixels using the brush to delete them.

– Background Eraser Tool (E)

The Background Eraser Tool ( E ) deletes the background pixels while protecting the subject pixels.

Click and drag the brush over the background color to delete background pixels.

– Magic Eraser Tool (E)

The Magic Eraser Tool ( E ) deletes pixels of the same color.

Click on a color, and Photoshop deletes all pixels with that color.

– Blur Tool

The Blur Tool softens the areas you brush over, causing a blur effect on the image. Use the tool by clicking and dragging over the area to blur it.

– Sharpen Tool

The Sharpen Tool crisps up soft edges in an image creating a sharper effect.

– Smudge Tool

The Smudge Tool blotches pixels in an image, causing a smudged effect.

– Dodge Tool (O)

The Dodge Tool ( O ) lightens areas you brush over in an image, increasing the exposure in that area. Use this tool to lighten areas selectively.

– Burn Tool (O)

The Burn Tool ( O ) darkens areas you brush over in an image, decreasing the exposure of those pixels. Use this tool for selective darkening.

– Sponge Tool (O)

The Sponge Tool ( O ) changes the saturation of the pixels you brush over. Use this tool for selective adjustments to the saturation levels.

Painting Tools

The Painting Tools offer several methods of painting colors onto a canvas or making selective adjustments.

– Brush Tool (B)

The Brush Tool ( B ) is the most commonly used painting tool and creates a hard or soft brush stroke on the canvas.

This tool is also used to add to or remove from a layer mask .

– Pencil Tool (B)

The Pencil Tool ( B ) works the same as the Brush Tool, except it creates hard-edged lines and doesn’t make softer strokes.

– Color Replacement Tool (B)

The Color Replacement Tool ( B ) replaces a specific color you brush over without affecting the surrounding colors.

– Mixer Brush Tool (B)

The Mixer Brush Tool ( B ) mimics a real paintbrush by mixing colors and giving you control over the wetness and flow of the brush. Use this tool to create realistic brush strokes.

– History Brush Tool (Y)

The History Brush Tool ( Y ) erases edits you made on the canvas by undoing the adjustments when you brush over them using a selected history state or snapshot. Use this tool to undo destructive edits without affecting your image.

– Art History Brush Tool (Y)

The Art History Brush Tool ( Y ) uses stylized brush strokes to replace the edits you’ve made using a selected history state or snapshot.

– Gradient Tool (G)

The Gradient Tool ( G ) creates a gradient on the image using your chosen colors.

Click and drag to create a gradient on the canvas once you have selected the desired settings in the Options bar .

– Paint Bucket Tool (G)

The Paint Bucket Tool ( G ) drops a selected color into the desired area or over the entire canvas.

To use the tool, choose a foreground color and click on the canvas to fill it with your selected color.

– 3D Material Drop Tool (G)

The 3D Material Drop Tool ( G ) functions with the 3D workspace, which will be discontinued in favor of Adobe’s Substance line.

Drawing And Type Tools

The Drawing and Type Tools allow users to create specific drawings and selections and add text to a project.

– Pen Tool (P)

The Pen Tool ( P ) lets you draw precise and smooth paths on a canvas.

Use this tool to create precise paths or selections around objects, especially curved objects. Click on the canvas to add anchor points and adjust the anchor points as needed.

– Freeform Pen Tool (P)

The Freeform Pen Tool ( P ) works like a magnet and creates anchor points against the closest edge.

Click and drag the pen around the canvas, and anchor points appear snapped to the closest edge.

– Curvature Pen Tool (P)

The Curvature Pen Tool ( P ) creates curved paths using anchor points. Use this tool to create paths or selections around curved objects.

– Add Anchor Point Tool

Use the Add Anchor Point Tool to add new anchor points onto an existing path by clicking on the path.

– Delete Anchor Point Tool

Use the Delete Anchor Point Tool to delete anchor points along an existing path by simply clicking on the anchor point.

– Convert Point Tool

Use the Convert Point Tool to manipulate anchor points and handles on an existing path by clicking and dragging on the anchor point or handle to reposition it.

– Horizontal Type Tool (T)

The Horizontal Type Tool ( T ) adds horizontal point or paragraph text onto the canvas.

You can alter the text by changing the font, color, size, and more.

– Vertical Type Tool (T)

The Vertical Type Tool ( T ) places vertical point or paragraph text on the canvas. You can edit the text as you would with horizontal text.

– Vertical Type Mask Tool (T)

The Vertical Type Mask Tool ( T ) makes a selection in the shape of the vertical text you type on the canvas.

– Horizontal Type Mask Tool (T)

The Horizontal Type Mask Tool ( T ) creates a selection in the shape of horizontal text typed onto the canvas.

– Path Selection Tool (A)

The Path Selection Tool ( A ) selects an existing path and allows you to move the path around. It also moves any anchor points, direction points, and lines.

– Direct Selection Tool (A)

The Direct Selection Tool ( A ) allows you to select anchor points on an existing path and reposition the anchor point without affecting the rest of the path.

– Rectangle Tool (U)

The Rectangle Tool ( U ) creates a rectangle or square (hold Shift ) shape on the canvas. Click and drag on the canvas to create the shape. All the shape tools work in the same manner.

– Ellipse Tool (U)

The Ellipse Tool ( U ) makes an elliptical or circle (hold Shift ) shape on the canvas.

– Triangle Tool (U)

The Triangle Tool ( U ) creates a triangle shape on the canvas.

– Polygon Tool (U)

The Polygon Tool ( U ) creates shapes with three or more sides.

Change the number of sides in the Options bar , then click and drag to create the shape on the canvas.

– Line Tool (U)

The Line Tool ( U ) makes straight lines on the canvas.

– Custom Shape Tool (U)

The Custom Shape Tool ( U ) creates custom shapes on the canvas. You can choose from Photoshop’s default shapes, create your own, or download custom shapes.

Navigation Tools

The Navigation Tools help you move, rotate, and zoom into the canvas for more precise edits.

– Hand Tool (H)

The Hand Tool ( H ) allows you to grab (by clicking) and move the canvas around. This tool is useful when you are zoomed into the document and don’t have a full view of the canvas. You can temporarily access the Hand Tool by holding in the spacebar while another tool is active.

– Rotate View Tool (R)

The Rotate View Tool ( R ) allows you to click and drag the canvas to rotate it clockwise or anti-clockwise non-destructively.

This tool is helpful if you need to view your artwork from a different angle, such as upside down.

– Zoom Tool (Z)

The Zoom Tool lets you zoom in and out of the canvas by clicking on it to make precise edits or view details up close.

You can also use the shortcut Control + + (Win) or Command + + (Mac) to zoom in, or Control + – (Win) or Command + – (Mac) to zoom out.

Additional Icons On The Toolbar

Below the tools explained above, there are a few more icons that you can use.

The first icon is the foreground and background color, which portrays which colors are selected in the tray. The foreground color is used to create lines and shapes and is the default color for any new text you add to the canvas.

The small icons behind the main colors show the default black and white so that you can switch back quickly.

The next icon is the Quick Mask Mode , which allows you to paint masks onto the image and easily create masks.

Lastly, the Change Screen Mode ( F ) icon allows you to toggle between the various screen modes .

How To Customize The Toolbar In Photoshop

Photoshop allows you to customize the Toolbar depending on your workflow. You can remove or add tools to the bar to speed up your work.

To customize the Toolbar, click on the three dots and then click on Edit Toolbar . 

You can re-organize the tools in the lefthand panel of the Customize Toolbar window . 

Click and drag tools to re-arrange them, or move them out of the grouping and onto the Toolbar.

If you don’t use specific tools often and don’t want them taking up space in the Toolbar, you can drag them to the right-hand panel. This action places the extra tools into one grouping at the bottom of the Toolbar, so they are out of your way, but you can still access them.

You can also show or hide the additional icons that appear on the Toolbar by clicking on the icon at the bottom of the panel.

You can use the options on the right to move all the tools into the Extra Tools section by clicking Clear Tools . You can restore the default settings using Restore Defaults or Save and Load Preset settings for the Toolbar.

Continue Reading:

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Photoshop MCQs

Test how much you know about Adobe Photoshop basics with our multiple-choice quiz about Photoshop tools, shortcuts, menus, formats, and applications of different options.

The ___ tool is used to make straight-edge selections. (a) Magnetic lasso (b) Clone (c) Wand (d) Polygonal lasso View Answer

Adobe Photoshop CC Stands for (a) Creative Cloud (b) Craft Cloud View Answer

____ is generating an image from a model using computer programs. (a) Cloning (b) Rendering (c) Filtering View Answer

___ tool is used to darken pixels in an image. (a) Patch Blur (c) Burn (d) Dodge View Answer

In Photoshop, Ctrl + R is used for (a) Ruler (b) Guides (c) Slice (d) Grids View Answer

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The amount of space between lines of type is called __ (a) Leading (b) Kerning (c) Tracking (d) Cloning View Answer

____ adjusts the width of the space between two characters in a line of text. (a) Leading (b) Kerning (c) Tracking (d) Cloning View Answer

____key is used to merge layers. (a) Ctrl + M (b) Ctrl + E (c) Ctrl + D View Answer

When removing a figure from a background, the following technique will assist in altering the selection edge to make it appear less artificial. (a) Rotate (b) Move (c) Feather (d) Marquee Selection View Answer

The mask option is under the _____ menu. (a) Edit (b) Filter (c) Layer (d) View View Answer

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The ____ filter adds or reduces noise and grain in photographs. (a) Blur (b) Noise (c) Render (d) Sharpen View Answer

___ tool is used to erase pixels from similar colored areas. (a) Magic Eraser (b) Background Eraser (c) Layer Eraser View Answer

F7 is used for (a) Layer (b) Color (c) Gradients (d) Grids View Answer

Photoshop was invented by____ (a) Tommy Hawk (b) James Dickson (c) Autodesk (d) Thomas Knoll View Answer

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Ctrl + M is used for (a) Saturation (b) Curves (c) Hue (d) Export View Answer

Photoshop is a ____ Graphic software. (a) Vector (b) Pixel (c) Bitmap View Answer

The tool that lets you select an area of an image and then paint with that area is called: (a) Eye dropper (b) Copy (c) Clone (d) Patch View Answer

Ctrl + Shift + Alt + B is used for (a) Black & White (b) Curves (c) Brushes (d) Slice View Answer

___ tool is used to repair the selected area with pixels of Another area. (a) Patch (b) Clone (c) Wand View Answer

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Short key to change the screen mode in Photoshop? (a) F (b) Alt + F (c) Ctrl + F View Answer

Which is the common layer to all the files in Photoshop? (a) Layer 0 (b) Background (c) Layer 1 (d) None of these View Answer

____ tool is used to darken pixels in an image. (a) Patch (b) Blur (c) Burn (d) Dodge View Answer

The ……tool allows you to copy one area of the layer to another area of the layer. (a) Clone stamp (b) Magic wand (c) Marquee (d) Gradient View Answer

____ Tool is used to paint an image with a desired pattern. (a) Brush (b) Pattern Stamp (c) Sprayer (d) Gradient View Answer

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“Layers” in Photoshop are: (a) Filters that have been applied to the image (b) Images stacked on top of each other (c) Color components (d) Previous versions of the image View Answer

A new layer can be created by pressing ___ (a) Alt+Ctrl+ N (b) Shift+Ctrl+N (c) Alt+Shift+N View Answer

When selecting an area of pixels to delete, which of the following tools could be used? (a) Magic wand (b) Marquee (c) Paint bucket (d) Gradient View Answer

The ___ tool is best selected when selecting an abnormally shaped image in a layer. (a) Crop (b) Marquee (c) Lasso (d) Magic wand View Answer

Tool used to increase or decrease the magnification of an image (a) Hand tool (b) gradient tool (c) lasso tool (d) zoom tool View Answer

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The ___ tool selects areas of similar color. (a) Lasso (b) Marquee (c) Move (d) Magic Wand View Answer

To undo the last change made to your graphic design, the……key is used. (a) Ctrl + D (b) Shift + Z (c) Ctrl + Z (d) Shift + D View Answer

The ____ is used to trim images. (a) Paint bucket (b) Eraser (c) Gradient (d) Crop View Answer

To resize a graphic in a layer, select the ___ tool, then check the mark ___ to see the selection handles. (a) Marquee, resize (b) Move, show the bounding box (c) Move, resize (d) Marquee, show bounding box View Answer

The tool is used to divide an image into slices. (a) Gradient tool (b) Slice tool (c) Burn tool View Answer

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You must push the __ key to turn off a tool or deselect it. (a) Ctrl + Z (b) Shift + Z (c) Shift + D (d) Ctrl + D View Answer

The ____ Lightens parts of an image. (a) Dodge (b) Burn (c) Smudge (d) Sponge View Answer

The shortcut for zooming in is? (a) Ctrl + (Plus) (b) Ctrl + (Minus) (c) Ctrl + Z View Answer

This tool works like a real-life paintbrush and allows drawing smooth strokes of color: (a) Paintbrush (b) Airbrush (c) History brush View Answer

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Magic wand tool (a) To select a colored area (b) To clone an image (c) Editing documents (d) To make the image sharper View Answer

A Digital Image is made up of thousands of (a) Pixels (b) Bitmap (c) Resolution (d) Vector Images View Answer

All graphic elements to be printed should be saved using this color mode. (a) RGB (b) Yellow (c) CMYK (d) Magnetic Lasso View Answer

Photoshop file format (a) JPEG (b) PSD (c) ODT (d) DOC View Answer

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LinkedIn Adobe Photoshop Skill Quiz Answers (2024)

• Post last modified: 22 March 2023
• Reading time: 32 mins read
• Post category: LinkedIn Certification

Table of Content

• 1 Using tracking code, Google Analytics can report on data from which systems?
• 2 How can you undo one or more changes just made to an image?
• 3 How can you select a specific layer? (find all that apply
• 4 How can you avoid having transparent edges along the edge of a panoramic photo while retaining the largest image size?
• 5 How do you crop a document without permanently discarding pixels along the edge?
• 6 What feature should you use to simulate the in-camera development recipes applied by manufacturers with your own raw files?
• 7 When working in an RGB document, which option is NOT a method for the Select Color Range command?
• 8 How do you access the Auto Color Correction Options dialog box?
• 9 Which options are available when using the Free Transform command on a Smart Object?
• 10 What is considered the minimum DPI for photographic-quality inkjet printing?
• 11 Which scanner type is capable of producing the highest resolution scans?
• 12 Which format does NOT support an alpha channel?
• 13 What is the best way to save multiple images into a single PDF?
• 14 What option cannot be adjusted with the Print command directly in the Print window?
• 15 Which statement best describes the Quick Mask feature?
• 16 What Photoshop feature was used to convert this image to black and white?
• 17 In the image shown, why is Sharpen Edges grayed out?
• 18 In the image shown, which Camera Raw feature was used to restrict the graduated filter to avoid the statue?
• 19 What can you use to save a common crop size?
• 20 Which Camera Raw Transform method is being used in the example shown?
• 21 To reduce the file size of a PDF, what should you do?
• 22 Which image adjustment is not available as an adjustment layer?
• 23 With default Essentials settings, where would you find the Red Eye tool?
• 24 Which option was not selected in the Magic Wand tool to create a selection like the one shown below?
• 25 Where should you click to open a dialog box in which you can then choose to open a raw file as a Smart Object?
• 26 Which option would you use to clone while respecting perspective planes?
• 27 In order to run a filter on an entire video file, what must you do first?
• 28 Which file format does not support layers?
• 29 Of these formats, which supports 16-bit images?
• 30 What does the small black triangle in the lower-right corner of a tool indicate?
• 31 Which command makes it easier to adjust selected areas of color in two images in order to make them similar?
• 32 If you scan a film or slide negative, which command turns it into a positive?
• 33 A filter recipe can be saved as an action and set to your desktop for drag-and-drop usage by converting the filter recipe into a _.
• 34 Which tool is not found in the Select and Mask taskspace?
• 35 To use blending modes with a filter, choose the _ command.
• 36 Which image adjustment is optimized for 32-bit images?
• 37 To hide the white borders around pixels that are viewed at a high magnification, which option do you disable?
• 38 To save a panel layout arrangement, what should you create?
• 39 Which filter should you use to create photorealistic blurs?
• 40 When using the Type tool, what do you call the space between lines?
• 41 If you want the most control over color when inkjet printing, which option should you select?
• 42 You have an RGB image that you want to convert to a duotone, but in the image > Mode menu, the Duotone option in grayed out. Why is this happening?
• 43 For smoother, curved edges on a selection, be sure to enable the _ option.
• 44 Which web-ready format supports transparency and is optimized for continuous tone images such as photos?
• 45 You’re trying to use the Healing Brush tool, but don’t see results. What is the problem?
• 46 Which color space is best for web graphics?
• 47 Which option do you use with the Dodge and Burn tools to prevent unwanted color changes like those shown in the image?
• 48 Which command in the Smart Objects submenu would you see to save the original file for the selected layer?
• 49 In the image shown, which Blur method is being used to control focus with a series of pins?
• 50 In the image shown, what do the blue areas represent?
• 51 What does the grayscale image in this figure show?
• 52 Where do you click to adjust the blending mode for a Smart Filter?

Using tracking code, Google Analytics can report on data from which systems?

• E-commerce platforms
• Mobile Applications 
• Online point-of-sales systems 
• Systems not connected to the Internet

How can you undo one or more changes just made to an image?

• Use the keyboard shortcut Cmd/Ctrl+Z
• Click a state in the history panel
• Choose File > Undo
• Press Cmd/Ctrl+U

How can you select a specific layer? (find all that apply

• Click the eye icon in the layers panel
• Use the Move tool with auto-select enabled
• Right-click the image and select layer
• Press Cmd/Ctrl and click the layer

How can you avoid having transparent edges along the edge of a panoramic photo while retaining the largest image size?

• Choose the Cylindrical method.
• Choose the Perspective method.
• Adjust the Boundary Warp slider.
• Select Auto Crop.

How do you crop a document without permanently discarding pixels along the edge?

• Clear the Delete Cropped Pixels box.
• Select the Delete Cropped Pixels box.
• Use the Smart Crop tool.
• Hold the Alt (Windows) or Option (Mac) key.

What feature should you use to simulate the in-camera development recipes applied by manufacturers with your own raw files?

• Camera Matching profiles
• calibration

When working in an RGB document, which option is NOT a method for the Select Color Range command?

• Sampled Colors
• Key (Blacks)
• Out of Gamut

How do you access the Auto Color Correction Options dialog box?

• Select Image > Auto Tone.
• Select Image > Auto Color.
• Alt-click (Option-click) the Auto button in the Properties panel when you have a Levels or Curves adjustment layer targeted in the Layers panel.
• Hold down the Alt (Option) key and select Image > Auto Color.

Which options are available when using the Free Transform command on a Smart Object?

What is considered the minimum dpi for photographic-quality inkjet printing, which scanner type is capable of producing the highest resolution scans.

• flatbed scanner
• slide scanner
• all-in-one unit
• drum scanner

Which format does NOT support an alpha channel?

What is the best way to save multiple images into a single pdf.

• Save each PDF separately first and then combine them.
• Check to see if you have Acrobat Professional installed.
• Use the PDF Presentation command.
• Click File > Export > Export Layers to Files.

What option cannot be adjusted with the Print command directly in the Print window?

• size of the image
• position on the page
• paper quality
• color management policies

Which statement best describes the Quick Mask feature?

• It allows you to use the Pen tool to edit a selection
• It allows you to use the Brush tool to create or refine a selection
• It allows you to duplicate a mask quickly.
• It allows you to convert a vector mask to a layer mask.

What Photoshop feature was used to convert this image to black and white?

• Black and White adjustment layer
• Image > Mode > Grayscale

In the image shown, why is Sharpen Edges grayed out?

• The filter doesn’t work on a 16-bit image.
• The filer is not correctly installed.
• The filter doesn’t work on a 32-bit image.
• The filter requires a selection to be made first.

In the image shown, which Camera Raw feature was used to restrict the graduated filter to avoid the statue?

• Adjustment Brush
• Depth Range Mask
• Luminance Range Mask
• Color Range Mask

What can you use to save a common crop size?

• modifier keys
• tool presets

Which Camera Raw Transform method is being used in the example shown?

To reduce the file size of a pdf, what should you do.

• Upsample large images
• Convert 8-bit images to 16-bit
• Apply compression to the document
• all of these answers

Which image adjustment is not available as an adjustment layer?

• Shadows/Highlights
• Hue/Saturation

With default Essentials settings, where would you find the Red Eye tool?

• grouped with the Eyedropper tool
• Image > Mode > Red Eye
• Edit > Red Eye
• grouped with the Spot Healing Brush tool

Which option was not selected in the Magic Wand tool to create a selection like the one shown below?

• Auto-Enhance
• Sample All Layers

Where should you click to open a dialog box in which you can then choose to open a raw file as a Smart Object?

Which option would you use to clone while respecting perspective planes.

• Vanishing Point
• Clone Stamp
• Healing Brush

In order to run a filter on an entire video file, what must you do first?

• Convert the video file to an image sequence.
• Convert the video file to a Smart Object.
• Actually, you cannot use filters on video files.
• Convert the video file to an animated gif.

Which file format does not support layers?

• Photoshop EPS
• Photoshop PDF
• Large Document Format
• Photoshop PSD

Of these formats, which supports 16-bit images?

What does the small black triangle in the lower-right corner of a tool indicate.

• that the tool is currently deselected
• tool options
• that the tool is currently selected
• grouped or hidden tools

Which command makes it easier to adjust selected areas of color in two images in order to make them similar?

• Match Color
• Replace Color

If you scan a film or slide negative, which command turns it into a positive?

A filter recipe can be saved as an action and set to your desktop for drag-and-drop usage by converting the filter recipe into a _..

• image process

Which tool is not found in the Select and Mask taskspace?

• Refine Edge
• Quick Select

To use blending modes with a filter, choose the _ command.

Which image adjustment is optimized for 32-bit images.

• Color Lookup
• Brightness/Contrast

To hide the white borders around pixels that are viewed at a high magnification, which option do you disable?

• Window > Workspace > Grid
• View > Show > Slices
• View > Show > Selection Edges
• View > Show > Pixel Grid

To save a panel layout arrangement, what should you create?

• A layer set
• A keyboard shortcut
• A workspace

Which filter should you use to create photorealistic blurs?

• Gaussian Blur
• Surface Blur

When using the Type tool, what do you call the space between lines?

• Vertical scale

If you want the most control over color when inkjet printing, which option should you select?

• Color Handling: Photoshop Manages Colors
• Separations
• Color Handling: Printer Manages Colors
• Hard Proofing

You have an RGB image that you want to convert to a duotone, but in the image > Mode menu, the Duotone option in grayed out. Why is this happening?

• You must add a spot color channel first
• You must remove all existing color by Image > Adjustments > Desaturate first
• Duotones require a single channel, so you must convert to grayscale first
• Duotones require two channels, so you must delete one of RGB channels in the Channels panel first

For smoother, curved edges on a selection, be sure to enable the _ option.

Which web-ready format supports transparency and is optimized for continuous tone images such as photos, you’re trying to use the healing brush tool, but don’t see results. what is the problem.

• You forgot to Shift-click to set the source point for the tool
• You forgot to Alt-click (Windows) or Option-click (Mac) to set the source point for the tool
• You forgot to double-click to set the source point for the tool
• You forgot to Ctrl-click (Windows) or Command-click (Mac) to set the source point for the tool

Which color space is best for web graphics?

• ProPhoto RGB

Which option do you use with the Dodge and Burn tools to prevent unwanted color changes like those shown in the image?

• Protect Tones
• Use Pressure for Size
• Protect Colors

Which command in the Smart Objects submenu would you see to save the original file for the selected layer?

• Edit Contents
• Replace Contents
• Relink to File
• Export Contents

In the image shown, which Blur method is being used to control focus with a series of pins?

• Tilt-Shift Blur

In the image shown, what do the blue areas represent?

• Clipped shadow detail
• Overexposed details
• Clipped highlight detail

What does the grayscale image in this figure show?

• the edges affected by the Sharpen command as refined by the Masking slider
• the edges affected by the Sharpen command as refined by the Radius slider
• the edges affected by the Sharpen command as refined by the Detail slider
• the edges affected by the Sharpen command as refined by the Amount slider

Where do you click to adjust the blending mode for a Smart Filter?

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• Photoshop Tutorials

In this section, you will find step-by-step beginner-friendly Photoshop tutorials with screenshots. Our tutorials are designed easy to follow and provide multiple solutions for each problem. Theories are easy to learn, it’s all about practice. You’ll also find some extra bonus tips that’ll help you solve problems faster in your creative process. Note: all the tutorials here are free to use and are based on the latest version of Adobe Photoshop CC.

How to Create a Favicon in Photoshop

How to Anti Alias in Photoshop

How to Cut Out a Shape in Photoshop

How to Resize an Object in Photoshop

How to Duplicate a Shape in Photoshop

How to Cut Out an Object in Photoshop

How to Rotate Shapes/Objects in Photoshop

How to Fill a Shape With an Image in Photoshop

How to Center an Object in Photoshop

How to Edit a Smart Object in Photoshop

How to Make Shapes in Photoshop

How to Fill a Shape With Color in Photoshop

How to Change the Color of an Object in Photoshop

How to Remove an Object in Photoshop

How to Paint in Photoshop

How to Draw a Circle in Photoshop

How to Draw a Line in Photoshop

How to Draw Curved Lines in Photoshop

How to Draw a Dotted/Dashed Line in Photoshop

How to Draw Arrows in Photoshop (3 Methods)

How to Make a Photo Look Like a Drawing in Photoshop

How to Create Watercolor Effect in Photoshop

How to Find Pantone Colors in Photoshop

How to Adjust White Balance in Photoshop

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Latest Photoshop tutorials

Welcome to Photoshop Essentials, where everyone can learn Photoshop! We offer fun, exclusive, step-by-step tutorials for all skill levels, and all written with beginners in mind. From Photoshop Basics to Photo Editing and Retouching, Photo Effects, Text Effects and more!

Visit our YouTube channel for our latest Photoshop video tutorials!

Check out our latest Photoshop tutorials below. Or download our tutorials as PDFs and get exclusive bonus content!

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Using the new Generate Background AI in Photoshop

Quickly remove backgrounds from photos and replace them with new AI generated backgrounds using the new Generate Background feature in Photoshop.

Adobe Firefly vs Midjourney – Which is the better AI image generator?

Adobe Firefly and Midjourney are both popular AI image generators. But which one produces better results? Let’s find out.

How to Turn Photos to Paintings with Generative Fill in Photoshop

Learn the simple trick that lets you turn any photo into a painting in Photoshop using Generative Fill and Adobe Firefly.

How to Brighten Eyes in Photoshop and Make Them Sparkle

Learn how to use Photoshop to brighten the eyes of your subject and help your portraits look more engaging. A step-by-step tutorial.

How to Generate AI Images in Photoshop using Adobe Firefly

Learn how to use the new Generate Image feature in the Photoshop beta to generate entire AI images from scratch with the power of Adobe Firefly and its new Firefly Image 3 model.

Using Visual Intensity in Adobe Firefly for More Detailed Images

Learn how to use Adobe Firefly’s Visual Intensity setting to adjust the amount of detail and complexity in Firefly’s AI images.

Using Structure Reference and Style Reference in Adobe Firefly

Learn how to control the composition and visual style of Adobe Firefly’s AI-generated images by using existing images as a reference.

The Easy Way to Open or Add Images in Photoshop

Learn how to open an image as a new document, or import images as layers in your document, just by dragging and dropping them into Photoshop.

How to Hide the Home Screen in Photoshop

Learn how (and why) to stop Photoshop’s Home Screen from displaying automatically, and how to show the Home Screen when you need it.

Hide Photoshop with Screen Modes and Interface Tricks

Learn how to use Photoshop’s screen modes and other tricks to hide the Photoshop interface and see more of your image as you work.

Save Your Own Adjustment Layer Presets in Photoshop

Learn how to save your adjustment layers as presets so you can instantly apply them to other images. New in Photoshop 2024.

Using the new Adjustment Brush Tool in Photoshop

Photoshop’s new Adjustment Brush Tool makes local non-destructive image adjustments simple and intuitive, especially for Photoshop beginners!

How to Round Corners in Photoshop

Learn the best way to give your photo rounded corners in Photoshop with this easy step-by-step tutorial.

Two Ways to Open JPEG Files in Adobe Camera Raw

Camera Raw is Photoshop’s best way to edit images, and this tutorial shows you two easy ways to open JPEG files in Camera Raw, first from Adobe Bridge and then from Photoshop.

Using Adjustment Layer Presets in Photoshop

Photoshop’s Adjustments Presets use adjustment layers to easily enhance or add effects to your image non-destructively, and are a great way to learn how adjustment layers work!

Create a Gold Text Effect in Photoshop 2024

Learn how to create a shiny gold text effect in Photoshop with this step-by-step tutorial, and even how to save the gold text with a transparent background.

Fade an Image to Color in Photoshop Faster with Live Gradients

Learn how to fade an image to color with Photoshop the new and easy way using live gradients!

How to Add Falling Snow to Photos with Photoshop

Learn how to add realistic falling snow to your winter photos with Photoshop.

Using the Improved Remove Tool in Photoshop 2024

Learn all about the Remove Tool’s great new features in Photoshop 2024 that make removing people or objects from photos easier than ever!

Get Better Color Halftone Effects in Photoshop

Learn how to create more realistic color halftone patterns using Photoshop’s Color Halftone filter and this simple trick.

How to Create a Halftone Dot Pattern in Photoshop

Learn how to turn your photo into a halftone dot pattern in Photoshop, including how to create a black and white halftone pattern and how to add color!

How to Add a Vignette in Photoshop with Gradients

Add a vignette to your photo the fastest and easiest way using Photoshop and its new Live Gradients feature in Photoshop 2023.

Extend Images in Photoshop Faster with Generative Expand

Learn how to extend images in Photoshop with fewer steps using Generative Expand, a new streamlined version of Generative Fill.

How to Use Live Gradients in Photoshop 2023

Live Gradients in Photoshop 2023 make drawing and editing gradients easier than ever. This step-by-step tutorial shows you how to use them!

Generative Fill in Photoshop: Remove People and Objects from Photos

Learn how to use Generative Fill in Photoshop to remove people and objects from photos and watch them disappear like they were never there.

Generative Fill in Photoshop: How to Add Water Reflections

Learn how to add realistic water reflections to an image in seconds using Photoshop’s Generative Fill, powered by generative AI.

Generative Fill in Photoshop: How to Extend an Image

The future of image editing is here! Magically transform portrait shots into amazing landscape photos using Generative Fill in Photoshop!

Upscale Images with Super Resolution in Adobe Camera Raw

Use the AI-powered Super Resolution in Adobe Camera Raw to instantly double the width and height of your photo without losing sharpness or detail.

How to Remove Noise from Photos with Denoise in Adobe Camera Raw

Learn how Camera Raw’s new Denoise feature removes noise from your photos using the power of AI.

Remove People or Objects from Photos Using Photoshop’s Remove Tool

Photoshop’s new AI-powered Remove Tool removes people and objects from photos faster than ever. Here’s how to use it!

Add A Spotlight Behind Your Subject With Adobe Camera Raw

Add a spotlight behind the subject in your photo with just a few simple steps using the amazing masking features in Adobe Camera Raw.

How to Crop Images in a Circle Shape with Photoshop

Tired of cropping your images as rectangles and squares? Learn how to easily crop an image into a circle with Photoshop!

Use the Oil Paint Filter in Photoshop to Turn Photos to Paintings

Transform your photos into beautiful and stunning paintings with the Oil Paint filter in Photoshop. Follow along with this step-by-step tutorial.

A Better Way to Add Multiple Strokes to Text in Photoshop

Frustrated with layer effects? Learn the trick to adding multiple strokes around text that keeps the strokes as smooth and rounded as the letters!

Using Layer Effects with Layer Masks in Photoshop

Using layer effects and a layer mask on the same layer can give you unexpected results. Learn the tricks to getting your effects and masks working perfectly together!

How to Paste an Image into a Layer Mask in Photoshop

Learn the simple trick that lets you paste an image or a texture directly into a layer mask!

A Better Way to Convert Type to a Smart Object in Photoshop

Learn a better and more flexible way to convert type to a smart object that makes editing your text inside the smart object a whole lot easier.

How to Create a Retro 3D Movie Effect in Photoshop

Learn how to recreate the look of classic 3D movies with this easy red and blue retro 3D effect in Photoshop.

Photoshop’s Brush Tool Fixed in Latest Update

Photoshop’s Brush Tool is finally fixed in the latest Photoshop update and no longer gets lost in the background as you paint!

Photoshop Image Adjustments vs Adjustment Layers

Still using Photoshop’s image adjustments? Here’s why adjustment layers are a better way to edit your photos.

How to Crop a Single Layer in Photoshop

Here are two ways to crop a single layer in Photoshop so you can crop an image on one layer without cropping every layer at once.

How to Flip and Rotate Letters in Photoshop

Here’s the simple trick that lets you flip or rotate individual letters in a word with Photoshop.

Use Smart Portrait in Photoshop to Change Your Subject’s Look

Change your subject’s appearance using Photoshop’s Smart Portrait filter. Add facial expressions, make them look young or old, adjust hair thickness and more!

How to Download the Photoshop Beta and Preview Upcoming Features

Try out upcoming Photoshop features before their official release by downloading the Photoshop beta. This tutorial shows you how.

Remove Distractions with Neutral Color Mode in Photoshop

Remove distracting colors from Photoshop’s interface with the new Neutral Color Mode option in Photoshop 2022.

Select Subject’s New Cloud Option in Photoshop 2022

Get better 1-click selections in Photoshop 2022 with Select Subject’s new Cloud option that processes your image on Adobe’s servers.

How to Change the Color of an Object in Photoshop

Learn how easy it is to change the color of an object in Photoshop, including the fastest way to select an object and two simple ways to change colors!

How to Posterize A Photo in Photoshop

Add an easy posterize effect to your image in Photoshop to recreate the classic look of posters printed with limited colors of ink.

How to Keep An Image Centered After Cropping in Photoshop

Is Photoshop not centering your image on the screen after you crop it? Here’s why it happens and how to fix it!

How to Paste an Image into a Selection in Photoshop

Learn how copy an image and paste it into a selection in a different image using the Paste Into command in Photoshop.

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Adobe Photoshop Multiple-Choice Questions (MCQs)

Adobe Photoshop is a raster graphics editor developed and published by Adobe Inc. for Windows and macOS.

Adobe Photoshop MCQs : This section contains multiple-choice questions and answers on the various topics of Adobe Photoshop. Practice these MCQs to test and enhance your skills on Adobe Photoshop.

List of Adobe Photoshop MCQs

1. ____ editing software Photoshop uses raster-based images to edit photos.

• Both A and B
• None of the above

Answer: A) Photo

Explanation:

Photo editing software Photoshop uses raster-based images to edit photos.

Discuss this Question

2. Several graphical and digital artworks can be ____ using Photoshop.

• Manipulated
• All of the above

Answer: D) All of the above

Several graphical and digital artworks can be created, edited, and manipulated using Photoshop.

3. Adobe Systems develops Photoshop, which is available for ____.

Answer: C) Both A and B

Adobe Systems develops Photoshop, which is available for Windows and Mac OS.

4. Photoshop files are usually saved as ___ files.

Answer: D) PSD

Photoshop files are usually saved as PSD files.

5. What does PSD stand for?

• Photoshop Shopping document
• Photoshop Document
• Photoshop Digital
• Photoshop Shopping Digital

Answer: B) Photoshop Document

PSD Stands for Photoshop Document.

6. Which of the following is/are the feature(s) of Photoshop?

• Smart Objects

The following are the features of Photoshop -

7. Working with ____ allows you to create independent pieces of paper that can be edited independently and later added to.

Answer: A) Layers

Working with layers allows you to create independent pieces of paper that can be edited independently and later added to.

8. Layer Palettes in Photoshop have a variety of features to help you work with them, such as ____, and locking.

• Opacity (transparency)
• Layer Masks
• Blending Modes

Layer Palettes in Photoshop have a variety of features to help you work with them, such as opacity (transparency), layer masks, blending modes, and locking.

9. Photoshop's workspace represents its ____.

• User Interface

Answer: B) User Interface

Photoshop's workspace represents its user interface.

10. ____ is the name of the default Photoshop workspace.

• Enumeration
• Establishment

Answer: B) Essentials

Essentials is the name of the default Photoshop workspace.

11. Digital painting tasks can be carried out in the ____ workspace.

• Photography

Answer: B) Painting

Digital painting tasks can be carried out in the Painting workspace.

12. What is the shortcut key used in order to perform a free transformation?

Answer: C) Ctrl + T

The shortcut key used in order to perform a free transformation is Ctrl + T.

13. In order to decrease the size of the brush, use -

Answer: A) [

In order to decrease the size of the brush, use ' [ '.

14. In order to increase the hardness of the brush, use -

Answer: B) }

In order to perform a free transformation, use ' } '.

15. In order to create a new layer via copy, use -

Answer: B) Ctrl + J

In order to create a new layer via copy, use Ctrl + J.

16. In order to create a new layer via cut, use -

• Ctrl + Alt + J
• Shift + Ctrl + J

Answer: B) Shift + Ctrl + J

In order to create a new layer via cut, use Shift + Ctrl + J.

17. In order to close all the documents that are open, use -

• Ctrl + Shift + P
• Ctrl + Alt + P
• Alt + Ctrl + P
• Shift + Alt + P

Answer: B) Ctrl + Alt + P

In order to close all the documents that are open, use Ctrl + Alt + P.

18. A Photoshop document can be searched using the ____ key combination.

Answer: B) Ctrl + F

A Photoshop document can be searched using the Ctrl + F key combination.

19. Shortcut key to start help -

Answer: A) F1

Shortcut key to start help is F1.

20. Shortcut key to cut a selection -

Answer: D) F2

Shortcut key to cut a selection is F2.

21. Shortcut key to copy a selection -

Answer: B) F3

Shortcut key to copy a selection is F3.

22. Shortcut key to paste a cut/copied content -

Answer: A) F4

Shortcut key to paste a cut/copied content is F4.

23. Shortcut key to show/hide layers panel -

Answer: C) F7

Shortcut key to show/hide layers panel is F7.

24. Shortcut key to activate an inverse selection -

Answer: C) Shift + F7

Shortcut key to activate an inverse selection is Shift + F7.

25. Shortcut key to activate the magic wand tool -

Answer: C) W

Shortcut key to activate the magic wand tool is W.

26. Shortcut key to activate the Path Selection tool -

Answer: A) A

Shortcut key to activate the Path Selection tool is A.

27. Shortcut key to activate the Artboard tool -

Answer: B) V

Shortcut key to activate the Artboard tool is V.

28. Shortcut key to select the next brush -

Answer: B) .

Shortcut key to select the next brush is ' . '.

29. Shortcut key to toggle between Standard and Quick Mask mode -

Answer: B) Q

Shortcut key to toggle between Standard and Quick Mask mode is Q.

30. Shortcut key to cancel completely -

Answer: C) Esc

Shortcut key to cancel completely is Esc.

31. Select and mask workspaces are opened by pressing ____.

• Ctrl + Alt + R

Answer: C) Ctrl + Alt + R

Select and mask workspaces are opened by pressing Ctrl + Alt + R.

32. Shortcut key to reapply filters used previously -

• Ctrl + Alt + F

Answer: D) Ctrl + Alt + F

Shortcut key to reapply filters used previously is Ctrl + Alt + F.

33. Shortcut key to change the cancel to reset -

Answer: B) Alt

Shortcut key to change the cancel to reset is Alt.

34. Shortcut key to activate crop tool -

Answer: B) C

Shortcut key to activate the crop tool is C.

35. Shortcut key to open the curve dialog box -

Answer: C) Ctrl + M

Shortcut key to open the curve dialog box is Ctrl + M.

36. Which of the following is/are the component(s) of the layer panel?

• Adjustment layer
• Smart Object

Thumbnail, Adjustment layer and Smart Object are the components of the layer panel.

37. Non-destructive editing relies on the ____.

• Layer style

Answer: C) Layer mask

Non-destructive editing relies on the Layer mask.

38. Which of the masks can be created in Photoshop?

Layer and Vector masks can be created in Photoshop.

39. Non-destructive editing is provided by all of these masks, so we do not lose the original ____ data of the image when editing the mask.

Answer: B) Pixel

Non-destructive editing is provided by all of these masks, so we do not lose the original pixel data of the image when editing the mask.

40. Which of the following is/are the benefit(s) of using Smart objects?

• The original image data or its content will not be lost when performing non-destructive transforms like scaling, rotating, skewing, or distorting.
• By making a smart object out of a vector artwork from illustrator, Photoshop allows us to work with vector data.
• The application of filters to smart objects is non-destructive, which means we can change them at any time.

The following are the benefits of using Smart objects -

41. Creating an object as a smart object will allow us to perform operations on it without affecting its ____.

• Image quality
• Video quality

Answer: B) Image quality

Creating an object as a smart object will allow us to perform operations on it without affecting its image quality.

42. The ____ effect will be applied to the modified content when the layer's content is edited or moved.

Answer: A) Same

The same effect will be applied to the modified content when the layer's content is edited or moved.

43. Which of the following layer style options is present in Photoshop?

Altitude, Blend Mode, Contour, etc. are the layer style options present in Photoshop.

44. Which of the following shape tools is supported by Photoshop?

Rectangle, Polygon, Line, Rounded Rectangle and Ellipse are all shape tools supported by Photoshop.

45. Create an object centered at the selected point by pressing which of the following keys?

Answer: C) Alt key

Create an object centered at the selected point by pressing Alt key.

46. Which tool on Photoshop helps remove the background from the image?

• Magic Wand Tool
• Magic Eraser Tool

Using a magic wand or magic eraser tool, one can easily remove the background from the image in Photoshop.

47. Which of the following blending mode(s) is/are available on Photoshop?

The following blending modes are available on Photoshop -

• Behind, etc.

48. A ____ mode mixes the RGB values of an original color with the green, blue, and red channel values.

Answer: C) Hard Mix

A hard mix mode mixes the RGB values of an original color with the green, blue, and red channel values.

49. Using the ___ tool, you can draw complex shapes and paths.

Answer: D) Pen

Using the pen tool, you can draw complex shapes and paths.

50. Which of the following pen tool(s) is/are available on Photoshop?

• Freeform Pen
• Add Anchor Point Tool
• Convert Point Tool

The following pen tools are available on Photoshop -

51. You can change the object color using -

• Hue/Saturation
• Adding a Color layer
• Color replacement tool

We can change the object color using -

• Layer Style

52. We can resize a layer using -

• Freeform Pen tool
• Resize tool
• Free Transform tool

Answer: C) Free Transform tool

We can resize a layer using the Free Transform tool.

53. In comparison to vector graphics, raster graphics consist of ____; vector graphics consist of paths; they are ___ based graphics.

• Pixels, Paths
• Paths, Pixels
• Pixels, Datasets
• Datasets, Pixels

Answer: A) Pixels, Paths

In comparison to vector graphics, raster graphics consist of pixels; vector graphics consist of paths; they are pixel based graphics.

54. Illustrator uses ___ (Dots per inch) as its vector image unit; Photoshop uses ___ (Parts per inch).

Answer: A) DPI, PPI

Illustrator uses DPI (Dots per inch) as its vector image unit; Photoshop uses PPI (Parts per inch).

55. Photo editing software like Photoshop is used for next-level editing and other graphical tasks, whereas photo editing software like ____ is used for managing and editing photos.

• Illustrator

Answer: B) Lightroom

Photo editing software like Photoshop is used for next-level editing and other graphical tasks, whereas photo editing software like Lightroom is used for managing and editing photos.

56. Which of the following is/are the advantage(s) of using Affinity Photo?

• Powerful live previews are supported
• Unlimited layers
• User-friendly

The following are the advantages of using Affinity Photo -

57. How many layers do we need to create a clipping mask?

Answer: B) Two

Two layers are needed to create a clipping mask.

58. Layers or groups that contain ____ are clipped inside another layer or group.

• Clipping Masks
• Cluster Masks

Answer: B) Clipping Masks

Layers or groups that contain clipping masks are clipped inside another layer or group.

59. When editing a low-resolution image, ____ occurs when the edges of the objects are stepped.

• Anti-aliasing

Answer: A) Aliasing

When editing a low-resolution image, aliasing occurs when the edges of the objects are stepped.

60. The feathering technique ____ the edges of the selection.

The feathering technique softens and blurs the edges of the selection.

61. Choose the layer that you would like to add the drop shadow for and click '__' at the bottom of the layers panel.

Answer: A) FX

Choose the layer that you would like to add the drop shadow for and click "FX" at the bottom of the layers panel.

62. How to add images in photoshop?

• Drag the image
• Use Open Feature

We can add images in photoshop either by dragging the image or using the open feature.

63. How to draw a line in photoshop?

• Use Line Tool
• Use Pen Tool
• Use Brush Tool

To draw a line in photoshop -

64. How to do Multiple Steps Undo in Photoshop in Windows OS?

• Ctrl + Shift + Z
• Alt + Ctrl + Z

Answer: C) Alt + Ctrl + Z

Use Alt + Ctrl + Z to do multiple steps Undo in Photoshop in Windows OS.

65. Which of the following is/are the Photoshop filter(s)?

• Dramatic Sepia
• Highpass Sharpen
• Old Photo Action

Dramatic Sepia, Highpass Sharpen, Old Photo Action, etc. are all the Photoshop Filters.

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Tools Panel in Adobe Photoshop

Ben Willmore

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Lesson Info

6. Tools Panel in Adobe Photoshop

Summary (generated from transcript).

This lesson covers the tools and panels in Adobe Photoshop CC. It explains how to use the crop tool, including how to set the cropping rectangle and the options for discarding or keeping the area outside the rectangle. It also discusses the perspective crop tool and its use in straightening images. The lesson covers using the eyedropper tool to select colors, as well as the magic wand tool and its tolerance setting. It explains how to use the color panel and swatches panel to store and access colors, and how to use the libraries panel to store and access various elements, such as frames and graphics. The lesson also touches on layer styles and how to use them to add effects to layers.

What is the crop tool used for in Photoshop?

The crop tool is used to select and discard or keep specific parts of an image.

How can you straighten an image using the crop tool?

You can use the perspective crop tool to straighten an image by clicking on the four corners that make up a rectangle and adjusting it to align with the angles of the subject.

How can you select colors in Photoshop?

You can use the eyedropper tool to select colors from your image, and you can adjust the sampling size to control how big of an area it samples.

How can you save and access colors in Photoshop?

You can use the color panel to save and access colors, and you can also use the swatches panel to save and access specific color swatches.

What is the libraries panel used for in Photoshop?

The libraries panel is used to store and access various elements, such as colors, graphics, and layer styles, that can be used across different documents. The topic of the lesson is using the brush tool in Photoshop and creating custom brushes.

What is the purpose of the styles panel?

The styles panel is used to save a set of effects that are created using the letters FX at the bottom of the layers panel.

How can you create more complex shapes using the shape tool?

By using the polygon tool and adjusting the settings in the top menu, you can create shapes with different numbers of sides and sizes.

How can you create custom brushes in Photoshop?

In the brush panel, you can adjust the settings for the brush tip shape, shape dynamics, scattering, and color dynamics to create a custom brush.

What is the difference between brush presets and tool presets?

Brush presets only include the settings for the brush, while tool presets include all the settings in the options bar, such as opacity, flow, and blending mode.

How can you create a more realistic painting effect using the mixer brush tool?

The mixer brush tool allows you to simulate wet paint and mixing colors. By adjusting the wet, mix, and load settings, you can create more realistic painting effects.

Introduction to Photoshop

How to use camera raw, making selections in adobe photoshop, using layers in adobe photoshop, using layer masks in adobe photoshop, adjustment layers in adobe photoshop, color adjustments in adobe photoshop, retouching images in adobe photoshop, layer blending modes, how to use filters in adobe photoshop, advanced photoshop masks, using smart objects in adobe photoshop, photography for photoshop, photo retouching in photoshop, warp, bend, liquify, advanced photoshop layers, photoshop tips and tricks, photoshop actions, troubleshooting photoshop, photoshop q&a.

We're back with another episode of Photoshop CC, the complete guide. The first week, we started out with some real essentials in what we were doing with Photoshop. That included things like layer masks, layers themselves, selections, all that kind of stuff, trying to get you started. Well, today we're gonna pop into the second week. In the second week, here's what we're gonna be covering. Today, we'll be getting into tools and panels, but then we're gonna start diving into adjustments and retouching. And then one of my favorite features, which is known as blending modes. That'll be later on this week. But today, tools and panels. That means we're just gonna take a brief look at some of the various tools we might not have a chance to cover in other sessions that we get to in Photoshop and we'll look at some of the panels that take up space on your screen and see what we can do with them. So let's pop into Photoshop so that we can spend as much time as possible there. And we'll get start...

ed. The first tool I'd like to talk about is the crop tool. The crop tool's found over here on the left side of my screen, and it's this tool right here. With the crop tool active, we get a cropping rectangle on our image. I don't know if you can see it but it's showing it to me up here in the corner of my picture. Each corner of my image has this thing that collectively is known as the cropping rectangle. I can grab those corners and pull on them to set this up exactly where I'd like to decide what part of this image I'd like to keep. And then if I press the return or enter key, that's one way of saying I'm done cropping or I can click a check box symbol that's up here to finish my cropping. Whatever my personal preference is. But before you do that, you should be aware of a setting that is at the top of your screen because it makes a big difference in what your end result will be. And that is, in my case, this little icon. And this might not be an icon on some versions of Photoshop, it might either be a pop up menu or a check box, but if that is turned on, it means that when I press return or enter that the area outside the cropping rectangle will be discarded. It won't still be there, it'll be discarded totally. So my file size will end up going down because we have less information and this cropping will be permanent. If I save and close the image, there'll be no way to get that area back. If I'd like more versatility, where later on I might choose that I want to change my mind and crop it differently in the future, I might want to turn that check box off. And if I do, then the area that is outside the cropping rectangle will still be maintained and we'll still have it within our document. It's just gonna be outside the bounds of our image, which means here I just press return or enter and we'll see that we've cropped the image but if I return to the crop tool again in the future, then I can pull the cropping rectangle back out and get that information back. It was just hidden. It's been pushed beyond the edges of our document but it was still there. It's just as if you had a piece of your image that you decided to use the move tool on and move it so it extends beyond the edge of your document. And it's just sitting there out beyond the edge where you can't see it but it's still there. And that's how Photoshop treats it if we have it here with this little feature turned off. So a lot of the times I have that turned off because what I'll do is I'll crop the image for my particular use, which might be a print that I make on my desktop printer. But just in case someone else contacts me and say "I want to use this on a magazine cover." Magazine covers are vertical. I hope I didn't crop out all that extra stuff that was up there at the top that I didn't use in the version that I was gonna print but I might now need when someone else asks me if I can fit that onto a magazine cover and its more vertical format. So oftentimes I'll have that off. Just know that if you have that turned off and you save your image in jpeg file format, that stuff will be thrown away. The stuff outside your document bounds. Because jpeg does not know how to save anything other than what's within your document. It doesn't know what's known as big data, stuff that goes beyond the edge. But if you save your image in Photoshop file format or tif file format, all that stuff will be retained so you could always get it back. There is a command in Photoshop that would kind of instantly bring it back and what that is if if I go up to the image menu, there's a choice called reveal all. Reveal all means make my document larger, just large enough to include anything that's been pushed beyond the edge of the document. So when I choose reveal all, you can see I'm back to the uncropped version. So that can be rather convenient. Now there's a little more to the crop tool. Sometimes you need to straighten a picture. If you need to straighten an image, there is a choice up here at the top. It's supposed to look like a spirit level. You know, the kind of level that has a little bubble in it that moves around? And if you click on that particular tool, you can then go into your image, find a line that should be horizontal, and if I click and I drag across to get it to line up with it, when I let go it will automatically put a cropping rectangle on my image and it'll rotate the cropping rectangle. If you would rather rotate manually because you just can't find a horizontal or vertical line to line things up with, then you can instead bring your cropping rectangle in a bit and then just move your mouse outside of the cropping rectangle itself, so you're beyond the edge of it, then your mouse will change into a curved arrow and then you can just click and drag and you can rotate. And you'll find your image rotating right below the cropping rectangle. So it's previewing the angle it'll end up with. So that's your alternative. You can also crop to an exact size. There is an area here where I can type in a ratio, just a width and height ratio if I want like a perfect square for instance, I could type a ratio of one to one, which would make it a perfect square. Or I have the choice of width, height, and resolution. So if somebody comes to me and tells me they need a crop of an exact size. They have a magazine cover and they tell me it's this many inches wide, this many inches tall and so on, I could use the width, height, and resolution if I knew the resolution they need. So that's the crop tool in general but there's more than on version of the crop tool and I want to show you the other. So if you want to abort a crop, like you're in here and you decide you just don't like what you're doing, you can always hit the escape key or you can click on the no symbol up here at the top of your screen, that one. And that will abort your cropping. Well, if I come over here to the crop tool and click and hold on it, you'll find there's a second version called the perspective crop tool. And the perspective crop tool used to be built into the normal crop tool but it was kinda hard to get to. You had to first click and drag on your picture to get a cropping rectangle to appear and then only after that cropping rectangle was on your screen would you see an option at the top of your screen called perspective. So if you have an old version of Photoshop, that's built into the normal tool. And in the newer versions, they wanted to make it easier to discover and so they made it its own tool. But with that tool, you can come into your image and you can click on the four corners that make up a rectangle. And this is primarily useful in architecture. So actually I don't have an architectural image in front of me, but imagine you took a picture of a building and you tilted your camera up a bit so the top of the building looks smaller than the bottom of the building. Well, you could click on the four corners that represent the front face of the building to get the angles of these sides and the angles of the top and bottom to line up with that building. And then if you wanted to not crop in to only use the building itself, instead you wanted the surroundings as well, once you got the edges of this to line up precisely, you could then grab the side handles. Not the corner handles but the side ones because then you could expand this up higher, you could expand it over to include more of the picture but the angle of these side and top and bottom pieces would remain consistent so they would still line up with the angle of the side and top of the building. Once you press return or enter, then it will distort the image to straighten out those lines. So if they were bent in to begin with, as long as we get this cropping rectangle to have lines that are at the same angle, it's gonna end up straightening them up. And this one had a slight angle to it but it wasn't too pronounced. But that's the perspective crop tool, which can be rather useful. Then let's just talk about a few of the other tools that we haven't had a chance to get into. When you're painting in Photoshop, and we'll try to cover painting more at the end of this session, but I just want to show you a few things related to it at the beginning to make sure that I don't run out of time. Anytime I'm painting in Photoshop, choose the brush I'd like to paint with, and usually you click on your foreground color to pick the color you're going to paint with. Well, this isn't always convenient to go into to pick a color to paint with. So there are some alternative methods for choosing colors to paint with. There's the eyedropper tool, which is over here. If I click on it, then when I click within my picture, it's gonna grab a color right out of the image and change my foreground color to it. So I'm ready to therefore paint with that exact color. What you really need to know there is that with the eyedropper tool, there's a setting at the top of your screen. When it's set to point sample, it means it's gonna look at one individual pixel within your picture and measure its color. That's the color it's gonna use. And the problem is, if your image has noise in it, you might happen to click on a pixel that is an odd color because sometimes you can get what I call Christmas tree noise, which is all different colors speckling throughout your image. And if you click with it set to point sample, it's just gonna grab one pixel to look at. If I set it to three by three average, then it's gonna average an area that's three by three pixels in size. Five by five will make an even larger one. But know that this affects a lot more than just the eyedropper tool. This also affects many other things that you use to click on your picture and sample what it looks like. For instance, when we talk about color adjustments, we'll end up moving our mouse on top of our picture and clicking to have Photoshop measure what color something is. When we do, it uses this setting right here to figure out how large of an area it's looking at. So when you see me do color correction at one point, I won't be using this tool, I'll be using a completely different set, I'll be using something called curves. I'll move my mouse onto my image and click to have it look at the picture but it is looking at this setting. So pretty much anything that's gonna glance at your picture to figure out what color something is is gonna use that setting. Therefore, that setting becomes much more important than thinking of it as just here with the eyedropper tool where we think we're just picking a color to paint with. It also affects things like, I believe it affects the magic wand tool. Instead of the magic wand looking at one pixel, it's gonna look at a five by five area. Now when I use this tool and I click, you're gonna find a ring that shows up. In that ring, the top edge of the ring will change to whatever it is you're choosing. I let go. And then I click again and now the bottom edge, the bottom half of that middle section is the color I used to have. The top is what I am now picking. So I can compare. If I'm looking for something that's just a little bit darker than what I previously had, I can compare the top and bottom halves of that inner circle to see the bottom's what I used to have, the top's what I'm about to choose. The outer ring is just gray so you can see am I choosing a color or is it neutral, meaning no hint of color at all? If you just compare it to that outer ring, the outer ring's giving you an idea of this is what it looks like with no color. So that's the rings. Now if you don't like that ring, you just find it to be distracting, there's an icon up here, this guy, and that shows the sampling ring. If I turn that off by clicking, now when I click I don't see it. It feels more like much older versions of Photoshop. So if you find that to be annoying, just click on that icon, it'll show the ring each time you click or turn it off. Now I almost never use the eyedropper tool. I do use its functionality to pick colors out of my image but I never manually switch to the tool other than to set the sampling size. Usually three by three or five by five average is much more useful than a point sample, I believe. And when I'm painting though, here's how I access the eyedropper tool. First let's say I'm painting with black. So you can see this is black paint. And I'd like to paint with a color that is found in the image. Well, when I'm in any painting tool, I can hold down the option key, alt in Windows, and then just for the length of time that I hold down that option key will we be temporarily accessing the eyedropper. So that means anytime you're about to paint, you can hold down the option key, alt on Windows, and just click. And you'll pick a color within your image to paint with. And I can option click again and choose this color to paint with. Option click again up here and you can see that I can quickly change between those colors, so there's no real reason to switch to the eyedropper tool to manually use it. Just option click. Alright. Also, the tool we used when we talked about selections, I think we only used it for like a millisecond, is one called the magic wand tool. I just wanted to let you know that one of the settings related to the magic wand tool is also one of those that kind of universally affects a lot of other features in Photoshop. But they don't tell you that when you launch Photoshop, so oftentimes changing a setting in a tool that you almost never use suddenly effects all sorts of other features in Photoshop. So I just want to briefly mention it. With the magic wand tool, just like with the eyedropper tool, there's a setting. And this setting, first off, is over here called tolerance. The tolerance setting doesn't just affect the magic wand. What tolerance means is if you set it as low as it possibly goes, which is either zero or one, I'll find out, I'll type zero and hit return. And if it doesn't complain, then that's the lowest setting. If it was one, it would have complained and put in the lowest. If it's set to zero, it means when I click with the magic wand tool, only select the exact color I'm clicking on. Nothing that varies at all from that, only that exact color. As I bring up the tolerance, the default setting being 32, it means now it can go 32 shades, it can deviate from the color I click on by 32 different brightness levels and select those shades as well. Well, sometimes you end up turning the tolerance setting really high, like 100 or 150, something like that to click on your image and select a wide range. Well, you should be aware that that number affects some other features in Photoshop. If you ever go to the select menu and you find a choice that's called grow or you find another one called similar, they use that tolerance setting as well. And so if you find that grow, you see how much that grew and made it larger. I'll choose undo and let me change my tolerance on my magic wand, I'll bring it up really high now to 150. And with that same selection there, now when I choose grow, you see how much more of the image it got? It went way out there. So I just wanted to let you know that there is a relationship between some of those tools and some of the ones that seem to be the most basic ones that you rarely use can suddenly have consequences in other areas. And that's why I want to mention that. So the magic wand, remember the default's 32. Why 32? I don't know exactly. But wanted to let you know that that affects it. Also with your eyedropper tool, the sample size will affect a lot of other features. So be kind of careful about just changing those settings so you realize that it might affect other things. Let's see, what else? Let's look at a few of our panels that might be related to choosing and working with colors. If I go to window menu, here it lists all the panels we can work with. And in there, I do have a color panel. And the color panel is just a miniature version of the color picker. And just like with the color picker that I get when I click on my foreground color where I can choose a color from this vertical bar here and then choose a shade of it from within this area, I can do the exact same thing over here. We have the same vertical bar here and we have the same shade there. So if you end up changing colors a lot, you could use this. There's a few things to know about it and that is when you look over here, you have your foreground color there, your background color here. And you can click on the two. If you click on this one, now when you go through here, instead of choosing your foreground color, you're gonna be choosing your background color. And be careful of that. Just like when you use things like the magic wand tool and the eyedropper tool, it can have consequences in other parts of Photoshop. Do you remember when I said you could grab the paintbrush tool, you could hold down the option key to temporarily get your eyedropper, and you could click on your image to choose a color to paint with? Well, that would usually change your foreground color. If over here you clicked on that at any time so that it's highlighted instead of the foreground color, then anytime you use the paintbrush tool, you hold down the option key to click on your image and choose a color to paint with, you're gonna be changing your background color instead. If you want to mess with a coworker that you see doing that all the time, click right here, because next to nobody knows that that's the case and it'll take 'em forever to figure out that that's what they changed. Okay. You can also go to the side menu of this panel and choose different choices for how this is being displayed within this. You can get a brightness cube, which means the brightness is in the vertical bar that's here and then you have the colors going across. Or we were using what was known as a hue cube. But know that there is a side menu for it. Then we also have an area called swatches. Swatches is where we can save various colors that we would like to use. To save a color, just change your foreground color to the color you'd like to save, move your mouse into the empty area at the bottom, and just click. When you click, it's gonna add that particular color and you can give it a name. Click okay and you'll have it in there. If you want to use it in the future, all you need to do is move your mouse on top of it and click, click wherever you'd like there to get it in there. If you want to remove one of these, there is a trash can at the bottom you could drag it to or if you just hold down the option key, alt in Windows, you will see that your mouse turns into a pair of scissors and then you can come in here and click to get rid of them. So if you wanted to get rid of 10 of them really quick, just hold down option and click all over the place to get rid of them. I prefer to change my view on this because oftentimes I define colors for a very specific reason and I want to keep them there. So if you go to the side menu, here is how you can choose how they're viewed. Here we have small thumbnail, large thumbnail, and then here are the list choices. So if I choose small or large list, then when I give these names, they'll be much more useful names because I can actually read them and use them. So if you have corporate colors that you need to use on a regular basis, you can define them in here and have them ready to use at any time. This is also where you can access various color libraries. And that means if you, for instance, print your images. When you print your images, you pick colors based on a pan tone swatch book, it's a little printed swatch book you can look at to look at colors. Or if you print using CMYK colors, the one that I prefer is the one called True Match. It's just a brand of swatch book you can buy where just like with paint swatches when you're gonna paint your house, you can get samples to view. If you do that, you can go to the side menu here and down at the bottom is where you can load those in. Here are your pan tone choices and here's True Match, which is the swatch book I like if I'm printing on a printing press with CMYK colors. When you tell it to load one of these, if you click append, it's gonna add to the list you already have. If you just click okay, it should replace the list you have. And so now if I had a True Match swatch book, I could come in here, use small list, and it'll tell me the names of all those colors. I could look up the same name in the swatch book and get a better idea of what it actually looks like when it's printed. Finally, if I want to get back to what we originally had in there, the defaults that are there, I can reset my swatches and then get back to my small thumbnails the way I like it. Now with these little panels like the color panel and the swatches panel, they're usually things that I only need to use for a few seconds and then I don't need to look at them again. So what I usually do with those is I will drag them out here by clicking on their name, drag it to the middle part of my screen, and then do you see this little bar I have here, a vertical bar? I'm gonna store them in there. I'm just gonna bring it over until a little blue line appears in there to indicate it's about to put it there. I'll do the same thing with the color one so that then those panels that I only need to use for a few seconds are stored in this little bar so I can click on it and use it. And then I can click away from it or click on a different one, I'm only gonna have one of those visible at a time. If I just click its icon a second time, it'll go away. And therefore it's nice and convenient to have it stored there. If you don't already have an extra bar like that on the side, just grab any one of these panels, click on its name, drag it over until you see a blue bar appear, a big tall blue bar. There I just added a second one of those panels. And then there'll be a little double arrow right up here and that means collapse this. So instead of seeing the full size, you see just the icons. And now when I click on the icon, it just pops open. Click on the icon a second time, it goes away. And if you want it to be separate again, just click on the icon, drag to the open part of your screen. And this little double arrow means full size or icon view. So if you're not used to that, you can move these around however you'd like. Now there are some other panels that you might find to be useful, one of which is called the libraries panel. The libraries panel is where you can store not just color swatches like we could do in the swatches panel, or we have a panel called the styles panel where we can store our layer styles. Layer styles are things like drop shadow, bevel and emboss, and other effects you can apply to a layer. But a library is where we can store all sorts of different kinds of material. It's a new concept in Photoshop CC that wasn't available in the old versions of Photoshop but it can be really useful. Let's take a look. Let's say I'd like to store some elements that I frequently use in Photoshop. For instance, here I have some frames that I frequently use to crop my photographs into so they can be a little stylistic frame to show them in. And if I use these all the time, I don't want to have to remember what file they're stored in and go and have to retrieve it each time I want to use one. So what I'll do is open one of these and now I want to store it within my library. If you don't have a library open on your screen, you can go to the window menu. The window menu lists every one of these panels that you can have visible. And so if you don't have your library open, you can open it there. Then in my layers panel, this is made out of three different layers. If you look at it, there's one layer with black in it that's a little outline around the edge of the frame. There is a middle layer that just fills in the little corners of the frame. And then there is the bottom layer, which represents where a photo would eventually be. And that layer is usually used to clip a photo to. When we talked about layers, we talked about having one photograph clipped to something else. That's how we get something like a photograph to show up inside of the shape of text, that kind of thing? So that's why I have this set up, so I can clip a photo to it. Well, I'm gonna select these three layers so they're all active in my layers panel. And then I'm gonna use my move tool and I'm just gonna click within this document so I can move it around and I'm gonna drag on top of my library and let go. And when I do, it just added it to the library. And then I can close this document. I don't need to save it. And it's stored in the library as well. I can go back to bridge and open another one. Make sure I got those layers selected, use my move tool, and just drag it in there. Once it's in there, I can close the original. Now it's stored also in this library. Then if at some point I would like to use those various elements that I put in there, first off you'll see that they have names. If you want to change the names, you can right click and there's a choice called rename, which would allow you to type in a new name. So this one that's called layer zero, I can just say let's rename that, I'm gonna call that badge or watermark or whatever. And they're sorted alphabetically, so that one suddenly moved up to the front. So now I'm gonna drag this into my image and let's see what happens if I want to use one of these frames. So I drag it over here, let go, and it comes in and it automatically starts to transform it to try to let me know how large I might want to use it within the image. I can fine tune that, press return or enter when I'm done. But there's a problem. If I look at my layers panel, it didn't bring over all the layers. Do you remember that this image was made out of more than one layer? Because it assumes that I just want the visual look of that layer and I might not want to deal with the individual pieces. It's just keeping it as one piece. It's what's known as a smart object. If I wanted to get to the pieces it's made out of, I would have to double click on the little thumbnail for the image. If I double click on the thumbnail for the image, it will open up and show me all the layers that are contained within it. It shows me as a separate document though, so I can make changes to it. I'll close that though because I didn't want to make changes to it. There's a different way to get it to add to my image because right now, if you notice there's a little cloud icon in the corner? And that means that this is linked to the library panel. And what that means is if I use this in more than one file, use it in 10 different files in Photoshop, and then in any one of those files, I double click on this and I change it. For instance, I'll double click and I'll change the color of the corner. So instead of being that cream color, instead it'll be a red color. Then I'm gonna close that file and choose save. Now do you notice that here in my library, it updated? And over here where I've already used it in a document, it updated? So that means if I just drag it out of the library into a document, it's linked back to the library and if I want to make any changes to it ever, I can just double click on any document it's used within. I double click on the thumbnail for that particular layer, it'll come up as a separate document. And if I make a change, let's go put a picture in there. I don't know if this picture's big enough, but we'll find out. And drag it over. Just a little bit too small, scale it up. And I'll clip that. You can clip it by going to the layer menu and choosing create clipping mask. And why didn't it clip to our-- Oh, I clipped it to the wrong one. I need to move it down here. Now do it. Okay, now it's clipped. I'm gonna save and close that. Let's close that file out. Say yes, save. Where is it saving it? It's saving it back to the library. And then anytime I open any picture that used it, it's gonna be updated as well. That can be cool. Because what if you sign all your pictures by putting a little scribble in the corner that looks like your signature? If it came from your library and you just dragged it out of the library every time you applied it, then later on you can decide I'm sick of that little scribble that I used to use in the corner of my pictures. I want to put a fancier logo in there. You hire somebody to make a logo for you. Then all you need to do is pick any picture that has used it in there. You can double click on it to get it to show up as a separate document. Just take out your scribble of a signature that was in there, paste in your newly designed logo, close it, and when it asks if you want to save it, it asks this, say yes. And suddenly all those documents, the next time you open them, they'll all be updated. So they have the new signature on them. So that's pretty cool. But in my case, that's not what I want. Because I want to be able to use this frame and maybe have four or five of these frames within my document, having each one have a different photo clipped to it. So I need to do things differently. I'm gonna throw this layer away, I'm gonna open that thing called the library again, and this time when I drag out one of these objects, I'm gonna hold down the option key. Alt in Windows. If I hold down the option key at the time that I drag, then instead of being linked back to the library where it's dependent on that file that's sitting in my library, now it just grabbed the individual elements that made up that thing and brought them in separately, where they're not linked back. Instead, they look exactly like whatever they were when I created that object within the library. So I can come in and put any photo I want in here to replace this. And any changes I make to this will not affect what's in the library. It's independent of it. So option means kind of, usually means work on a copy of something. In this case, it means work on a copy that is independent of the one being stored in the library. So the two are not linked together in any way. And that's how I get to the individual layers and always have them there. So therefore if I want this one, I'll drag it out and hold option before I let go, so option is being held at the moment I release the mouse and then I can get another one of those frames. This one has a photo that's hidden in there. And therefore I can store stuff that I use all the time. So for my particular company, my company is called Digital Mastery, my corporate colors are black, red, and this kind of tan color. And before I had libraries and things, I could have put them in the swatches panel but then they get cluttered up with all the other junk that's in there. But if I put them here, I don't store all that many colors in my library. I have just this library here for my corporate colors. Then I also try to use a consistent typeface whenever I use text because then my corporate color can be used and my corporate font can be used and it all looks consistent. Well, if I grab the text tool, I click within this document and I say put in some text. I'll select all with command A and now I'm gonna go to my library and this is a character style. It means it contains the font and the other settings related to that text and I can click on it and get it to apply to my image so I can be consistent with what font's used and all that. So let's look at how we can store things in here. First, to store things in here, down at the bottom we have some icons. And if we look at those icons, you can usually hover over them to see what they mean. So if I click here, it's gonna add my foreground color. There's a color swatch in here. And then I can name it. The next one over is gonna add the color of the text that is currently active on my screen. The next one over is gonna add the layer style. Layer style and layer effect, those two words are used interchangeably. That would be drop shadows, bevel and emboss, and other things that you can add to a layer by going to the bottom of the layers panel and using this little FX symbol. We use those on a few occasions. The next icon over is gonna add the character style for the text that is currently selected on your screen. So put some text in there, put it in the font you like, click there. The next choice over would add a graphic. It's gonna take whatever layer or layers are currently selected and put them in here. And then we have something else which is called library from document. And that would grab everything. All the colors used within your document, all the typefaces used within that document, and add them to a library. You can have multiple libraries, which is really convenient. So I have a library, if I go up here to the top of my screen. Right now, this is called My Library. If I click on this menu though, I can switch to others. So here I have Photo Frames hand drawn. That's where I store those actual frames. I don't want them cluttering up the library I'm always looking at. I just grab those when I need 'em. Then I have my main library, which is just called My Library. Should be called Corporate Library because it's mainly my corporate colors, my corporate fonts, my little badge that I sometimes use to watermark my pictures, and then these aren't usually here. We just added those. So I can grab these and throw them in the trash if I'd like. You can view this, cause these are little thumbnails or also as a list. If you find the text is more useful than the visual, that's just an icon up here at the top. And then finally there is an icon down here at the bottom, this guy. I don't know if you recognize that icon, but that's the Creative Cloud icon. And if you have a CC subscription, then what if you have a laptop and you have a desktop machine? If I click on that symbol, if I hover over it, it'll tell me. It says all libraries are up to date. But if I use that by clicking on it to turn it on, it can sync this between more than one computer that's using the same Adobe ID. So I add my little badge here on my laptop, I get home to my desktop, and it can be sitting there waiting for me there as well. So the libraries are nice. I don't use them all the time but I do appreciate them being there. Find it a nice way to keep track of more than one piece that I commonly use. Yes? (mumbles) Save anything to the library without being logged onto my... Creative Cloud? Creative Cloud. So is it storing them-- That is if you have them syncing. In the cloud or is it storing them on your computer? It depends on what the icon is like down here in the lower right. This can get turned off and if it's turned off, then it's not syncing them to the cloud. But I don't know the exact mechanisms there because I only have one computer. And so it's not something I typically use to go between computers so I haven't experimented extensively with what the limitations are of that. Yeah. If you use sources, like I get a lot of things from Design Cuts that I've purchased from another source. Is there a limit to how many you can store? Not that I know of, although your Creative Cloud subscription has a certain storage limitation, like how much space you get on the cloud and I'm sure it's part of that, so there would be some sort of limitation. I don't know what the limit is though because I use it for relatively simply things, small graphics, so I haven't run into it. Is there, I don't know, is there a place where you like to keep a copy of your brushes and your things as a backup copy that you recommend? Well, I have my entire computer being backed up on a regular basis and I use that as my main way of keeping these things backed up. You can do many things like when you're in swatches and when you're in brushes and things, usually you can go to the side menu of most of those panels and save them out as a separate little file. And then you could copy that file to, you know, another drive if you'd like. But for me, it's mainly that I have my preferences file backed up and other things. Because I don't have too many things that are critical in those areas. With the exception of actions, those I do make sure that I have backed up as a separate entity, separate file. So here are some layer styles, by the way, that I might use where I can store them either in the layer styles panel or in the library. If you want to see what this document would look like without layer styles, I will turn them off. You see this relatively simple document, where if I turn off one of the darker layers you can see it's just shapes. We'll talk about creating shapes in a moment. We can use basic shapes in Photoshop to create things. Here I have a gear and just a couple circles. But we can transform that whole thing by using what's known as layer styles. Layer styles are found at the bottom of our layers panel. Just click on the letters FX. And here you have this list. If I turn on the layer styles for each set of these layers, do you see what we have there? That is a texture. To create that texture, I ran a filter that was called add noise and then right after that I ran a filter called motion blur. That produced this texture. Then there's, when we talk about filters, we'll talk about turning something into a repeating pattern. And you can define something as a pattern and it would overlay. So that is just one little effect here, something we could do. And you can build up these effects. Let's turn on the effects on the other layers. Here I have just a little center black circle, you can hardly see it from the image. But I turn on the effects and suddenly it looks like a pretty interesting looking, kind of three dimensional piece. If I turn on all the effects, turn them all off, I can turn these on one at a time to see if you can see how much each one builds up to create the effect. Go down to the next one, turn on its effects. That one's also got a pattern. That one, I'm trying to remember how I made it because I made it so many years ago. It was something that just had black horizontal bars on it, like diagonal bars, and then I ended up doing I think a bevel and emboss on it. Either that or, yeah, bevel and emboss on it, which made it have a shiny feeling. Let's see if I can build it up. But there it's mainly this thing called pattern overlay. Oops, wrong layer. So here's a pattern overlay. Then I put a gradient overlay on it to make one side brighter than the other. Inner shadow to make it feel like it's indented. Bevel and emboss to make it feel like it's got an edge to it. See all those things? And then finally one other piece like that. Now these take a while to experiment with and get to a desirable looking end result. So what I usually end up doing is I experiment with these settings whenever I am watching TV that is not that entertaining. Usually it's when the family wants to watch something that I'm only partially into but I know we should be hanging out, so I'm like "Alright, sure, I'll watch whatever that show is "that you're really into and I'm only 10% of the way into." So I'll be playing with this and watching the TV too. And when I got one of these set up where I really like it, then what I do is I open one of the panels. And the panel is just called styles. And this is where you can save those, those presets. So if you have a layer that's got an interesting looking effect on it, then down here I just click this icon that's the middle one and it's gonna add it as a new one. I'll call it Brushed Metal with Bevel or whatever you want to call it. And it always wants to know should it add it to my current library. That means that library panel we're using so be careful. If that's turned on, you're gonna start getting a cluttered library. It's fine if you want it though. Click okay and now I have that, if I ever want to apply that to anything else, a single click right there would apply it to the layer I'm working on. I can go down to the next layer, do the same thing. I'm not even gonna name them because I'm just gonna look at these thumbnails. So then in the future if I want to change the look of this image, all I need to do is click between some of these. Look, now I got a little jelly looking thing because that was one of my other styles that was saved in here. And come down here and switch the style to other choices and suddenly I can have a completely different looking end result with just a couple clicks. So the styles panel is where you're gonna save a set of the effects that are created using the letters FX at the bottom of your layers panel. That is our styles. Now this actual original document was created using the shape tool. Let's take a brief look at it. I'm just gonna create a brand new document. And down here near the hand tool is the shape tool. If you click and hold on it, there's more than one. And these are really simple tools. You can make rectangles, ellipses, polygons, and so on. But you can create a lot more than what you might imagine here. Let me just give you a little idea. If I use the polygon tool and I create a shape, create that, first shape. At the top of your screen, you have a bunch of different options for how you'd like to work with things. You can type in an exact width and height, you can tell it how many sides that shape should have, for instance here, and the next time you draw one you'll have one with six sides or eight sides or however many you'd like. A whole bunch of things you can do. What I'm gonna do is I'm gonna transform this. I'm gonna see if I can do command T for transform. If I end up duplicating this layer, I'll just type command J, remember if we talk about layers, command J duplicates a layer. Then I'm gonna type command T. When you transform and rotate something, usually it just rotates it around the center like it is right now. But there's a little center mark right here, do you see it? What I'm gonna do is move that down here. Now when I rotate it, watch what happens. It's pivoting around that point. So that little center mark is the pivot point. So I'm gonna move it to right there. Then I'm gonna type command J to duplicate it. Whenever you transform something, there's something in here called again, which means apply the exact same transformation over again. So what if I do the keyboard shortcut that's there? Again is shift command T. So let's try shift, command, T. Duplicate the layer, command J. Shift command T. Command J, shift command T. Command J is duplicating the layer, shift command T is transforming it again. Okay? See how we can go around and create something a little more sophisticated with that? We can also come in here and then choose the ellipse tool. And I wish I had marked that spot where I rotated it because that would be the center point, but I can come in here and create an ellipse then to create the center of this shape and now I have a gear. Okay? So you see how you start with something simple, add together a bunch of other shapes into it, create something more complex. And that's how I ended up creating these images. This in the middle is just a circle. This here is a circle with the middle cut out. This is the equivalent to what I just drew, I just didn't put as many teeth on my gear. I mean I rotated it further each time. And so creating like little comical characters like this, that's all made with the shape tool. That is, when you end up going into the shape tool, if you choose the shape that is at the bottom, custom shape tool, that is where at the top of your screen on the right side you can choose different shapes. So you don't have to work with those very simplistic ones. You can get all sorts of others in here. And there's even more than this available if you go to the little side menu that you get with clicking on this gear. Here are entire categories. Or if you choose this, it'll replace all the shapes in here with different choices. So once you get used to using the shape tool, you can create everything from simple shapes to really complex stuff. You don't have to be able to actually draw, so that things like little comical characters, that's just a bunch of circles that have... This one here has an inner shadow on it, so does this one. So the combination of the shape tools and those layer styles put together, you can build up things relatively easily. Here are some of the examples for what was used to create them. Alright, then let's talk a bit about painting. I'll just work with an empty document to start with. We'll grab the paintbrush tool and the paintbrush tool looks pretty simple. It's just a circle that you can change the size of by going up here. Here's your size, and there's your hardness. And we click and drag and we can paint on our picture. Well, there's a heck of a lot more to it than that. We could literally have a whole day on what the paintbrush tool is capable of. Here I just want to give you an idea, clue as to what is possible and then you can explore it in more depth if you feel you'd like to. So if I go to the window menu, there are two areas related to painting. One is called brush. That's gonna bring up my brush panel. That's where I have all the settings that define this brush. The second one is called brush presets. And that's where once I've already defined a brush using the settings in the brush panel, if I want to be able to get back to those same settings again in the future, I save it over here as a preset. I'm gonna take my brush presets and put it over here in this little sidebar and I'll do the same thing for our brush panel. So it's all in this little sidebar. Now let's look at what we can do. I'll start here with something called brush tip shape. That means what shape of brush am I using? And I choose my brush tip shape over here and there are two kinds of brush tips. One is one that is a picture. The other is one that are bristles. And you can tell by looking at the little icons that are here. These are bristle brushes because they look like they have little bristles in a brush. And then if you scroll down further, you see ones that look like pictures, look like little drawings. I'm gonna come down here and just choose one that looks like a blade of grass. See that one there? So that is my brush tip shape. Watch what happens when I paint with it. That's all it does when you're using a brush that's based on a picture. All it does is repeat it over and over. In fact, your normal brush, the kind of brush you've been using over and over when you paint on layer masks or when you just paint on a picture, if it's usually a round brush, all it's doing is putting down a circle, moving over a certain distance, and putting down another circle. That's how that brush works as well. But let's see how I could really transform this into something more interesting. Choose undo. If I come down to the next section here, which is called shape dynamics, I'm not gonna click the check box here because that would just turn that feature on but not show me the settings related to it. I'm gonna click on the name that's here. That both turns it on and brings me to the settings for it. Down here we have a preview at the bottom and let's see what we can accomplish. Anytime you see the word jitter, it means randomly vary this setting. So size jitter is currently set to zero, so the size of my brush does not vary when I paint. But if I bring up size jitter, now when you look at the preview below you see that some of the blades of grass are smaller than other blades of grass. So I can get it to vary that. Jitter means randomly vary this setting. And then by how much is what the slider does. Or if I would rather not have it randomly do it, there's also a pop up menu called control. If I click on control, this means what should determine what does this. One could be my pen pressure. If I happen to have a graphics tablet like I have here, then how hard I push with this pen could determine it. So if I set it to size jitter and I say pen pressure, now when I paint on my image, if I press lightly I get small blades of grass. And if I press harder and harder, I get big blades. That's just by how hard I pushed down on this. So control means instead of having it randomly vary, do I actually want to control it with something. And so I can have it controlled with either the pressure of this pen or with the tilt of the pen because it can sense if I'm holding it at an angle or straight up. And therefore that could vary the size of my brush. There's also a choice called stylus wheel and I believe that would make it so the scroll wheel on your mouse would control it as you're painting. I'm gonna set that to off and I'm just gonna make it so it jitters the size a lot so we vary it. Then down here we have angle jitter, and that means should it rotate these little brushstrokes before it puts each one down? So watch the preview at the bottom when I bring up angle jitter. Can see it rotating them. Now if these are supposed to be grass, it doesn't make sense that they'd be upside down, so I'm gonna only vary that enough so that they're still looking like they're coming from the bottom and not sideways and things. About like that. And again, we have the choice of control, so if I wanted to vary the angle based on the tilt of my pen or something, I could do it. Then we have roundness jitter. And what roundness in this case means is should it scale it in one dimension? So if I move this up or down, do you see it's kind of squishing the tips so they're not being as tall? What it's really thinking about when it says roundness is as if you had a round brush and should it turn it into an oval at some point. Alright, then let's go down to a different category. It's called scattering. I'm just gonna click right on the word scattering and here we have a choice called scatter. Well, if I bring up scatter, it's gonna make it so it doesn't precisely follow where I paint. Instead it can move up or down from that position a little bit. So do you see what happens when I move way out like that? And way down. But it means how far can it deviate from where I was? So if I come over here now and paint, even though I'm painting straight horizontal, you see how it's putting down little things above and below that. So I don't want it so it goes too far away but I want it so it varies enough to make it look like they're not all in alignment. Something about like that maybe. Then we have count and that means how often does it put down these brush tips? If I bring the count setting up, you'll see it puts more and more and more in there. And we can have count jitter, which means should it vary it so it's not consistent? Sure, vary it. So some places it's thicker, more dense, and other places it's less dense. It would literally take all day to go through all these. Let's just look at a section called color dynamics. Because right now our brush is only based on our foreground color. Let's click on our foreground color and choose a nice green for our grass. And in fact I'm gonna change my background color as well and get a darker version of that green. Now under color dynamics, we have a choice called foreground background jitter. Well, look at my foreground and background colors. Should it randomly switch between the two or vary between those two colors? So if I bring that up... Let's first look at what it looks like when it's set to zero. Oh, wait a minute. Hold on. Something is set... Oh, hue jitter is turned way up. I didn't want that. Sorry, I didn't realize a setting was turned on called hue jitter. So now you see that it's just using my foreground color. Choose undo. And I'm gonna bring up foreground slash background jitter. I'll put it up to 100% and now you notice it varies between my foreground and background colors. I might want to have it a little lower so it stays closer to using my foreground color more often. Like that. Then we have a choice called hue jitter and that means should we randomly change what color these bristles are? That's what was turned up a little while ago when it was giving me multicolored. That's when I get this. But if I only have it turned up a tiny amount, then it's still gonna be near my original color. Saturation jitter will randomly change how colorful they are. I'll bring that up a little bit. And brightness jitter will change how bright they are. I might bring that up a considerable amount so we have... Now look at all that. Heck, if this wasn't green, if it was brown and yellow, this could be hair. (laughs) Somebody's kind of bald head, we can put some really bad looking patch in there. Anyway, you get the idea. There's a whole bunch of other settings that are in there, okay? So I'm just trying to give you an idea of them. Just remember, jitter means randomly vary this setting. Control means don't do it randomly, do it based on the pressure of my pen or the angle of my pen or some other setting. Alright. Now once I get this, where I've spent so much time on a brush, I might as well save it. So if I'd like to save this, I'm gonna go to the other little panel which is my brush presets panel. At the bottom of the brush presets panel, I have an icon to create a new brush. And I'll click there and that should let me name this Grass. Now the only problem with that is when I come back to use this brush, it might not look exactly the same. And that's because I have my foreground and background colors set to specific colors and those colors aren't usually saved in a brush preset. If I want those colors to be used every time I do it, then I don't want to use a brush preset. What I want to use instead is a different window called tool presets. Tool presets include, when it comes to the paintbrush tool, not only all the brush settings that you have put in but also all the settings for in the options bar up here at the top of my screen. So that means things like opacity, flow, blending mode, would be added as well. And when I add one for the paintbrush tool, there's a check box when I'm creating it called include color. And that means include my foreground and background colors. So if you end up getting a perfect brush for doing something and that brush is reliant on the color you're painting with, then instead of saving it as a brush preset, save it as a tool preset. A tool preset includes not only the brush but all the settings that are in the options bar that goes across the top of your screen and if you turn on that check box also includes your foreground and background color. And so sometimes that's preferable to just saving it as a brush. Make sense? And you can have tool presets for just about any tool. And with it, there's a check box at the bottom called current tool only. Because if you have way too many of these loaded, then you might have to scroll through to find them. So if you turn on current tool only and I'm in the paintbrush, then I'm going to only have presets for that particular tool. So I can quickly switch between them. And that's another useful thing to have in this little bar over here because it's the kind of thing where you just grab a preset and you hide that little panel and it's not very often you need to use it. Now the other thing we should discuss is the other kind of brush. Remember I said there were two general kinds of brushes. One is based on a picture, which is what we used so far, a picture of a blade of grass. The other is based on bristles. And I don't have extensive experience using bristles but I can give you a general idea for how to think about them. Here in my brush picker, I just went to the very top of my screen when I'm in my brush tool, click here. You can see my normal brushes, the ones that are based on pictures, but then these that look like little bristles, little bristle brushes, I choose one of those. And if I do, then when I next go to my brushes panel and I come up here and I choose brush tip shape, I'm gonna have some extra options right here that control what kind of brush I'm going to be working with. With this, it's useful to have a preview of what you're about to do because it's a different way of thinking. That preview is gotten by clicking this icon down here at the bottom, looks like a little eyeball with a paintbrush. If I turn that on, this is my little preview. And watch that preview as I change the settings for this brush. I'm gonna change the length of the brush. I'm gonna change how many bristles are in it. There's one bristle. And there's a full brush. Also instead of just looking at that preview, look down here at this preview. It shows you what it might look like when I paint with it. Here I can choose how thick the bristles are. Are they really thick and dense or are they thinned out? I can choose the stiffness of my brush. Now the stiffness means if I were to paint like around a corner with that brush, would the brush perfectly follow where I'm going or would it kind of bend as I go around that corner. You know how if you have a brush that's really soft, if you bend it around, the bristles would move and make it around that corner. So the stiffer the bristles are, the closer it's gonna follow the path that I take. And the softer it is, the more it will swing out as I make corners. So with this brush, if I grab my graphics tablet, watch the preview, the one in the upper right? If I tilt, you see it tilting the brush? So it's thinking about the tilt and I'm also trying to get a preview on the image itself. I'm gonna get a smaller brush, down a little bit. And so do you see how when I went around the corner, it got thicker? That's because it would be like having the bristles kind of spread out and move around there. And I might want to come down here and get fewer bristles on the brush. And see if I can get it so you can start seeing a little of the spacing in between them. My thickness all the way down like that. So anyway, you can fine tune this quite a bit. There are quite a few presets that use these and so it can be interesting. You might want to incorporate them though with a different tool in Photoshop. If you click and hold on the normal paintbrush tool, there is a choice called the mixer brush tool. I am not overly versed with the mixer brush tool so I'm only gonna give you some of the basics because I'm not a painting guy. I'm a photographer, that's my thing. But if you don't have any help for using it, then you can be a little bit frustrated. So let me give you a little bit of idea of what this does. First off, there are presets. Right here, do I want to think of it as being dry, moist, wet, or very wet? When it comes to wetness, what it really is talking about is the stuff that you've already painted. Imagine you're painting on a canvas using oil paints. Did you paint this last week and you're coming back today and it's completely dry? If it is completely dry, it should pretty much stay stationary. I can paint things over it but it's not gonna smudge what's there. Does that make sense? Whereas if I just painted that two minutes ago and it's not dry yet, that means the paint's still wet. And if I move my brush on top of it and start brushing right, I might start moving some of that paint along with it. Does that make sense? So if this is set to wet at all... Let me choose a different color to paint with. I don't want that dark. Then when I come in here, do you see the green is moving along with the color? Because what's down there is wet. If I take the wet setting and bring it down to zero, now you notice it's only painting with the color of my foreground color. It's not interacting with what's already there because it thinks of what's already there as being dry paint, so it shouldn't move. So I can bring up wet. If I bring it up to 100%, it's gonna be very wet so it's really gonna completely move as I paint with this. So I can do that. I'll bring my wet down a bit. Then we also have a choice called mix. And mix means... If I turn my wet all the way down, you'll see there is no mix. Mix becomes unavailable. That's because it's only gonna mix if some of the paint sitting there is wet. So I'll bring my wet up. Only when wet is turned up can I mix. And mix means how much should the color I'm painting with right now mix with what's already there? So therefore if I bring mix way up, the color I'm painting with and the color that's underneath should combine a good amount. If I bring it down, it should do so less. But it's controlling how much of the color I'm painting with mixing with what's already on the paper. Load means how much of my foreground color is loaded into my brush. If I bring load down very low, then there shouldn't be much of the color loaded in there. So I can come in here and mainly get, see, I'm just getting the sheet of paper color that I'm painting over and just the littlest hint of my foreground color in there. So load means how wet is my brush with my foreground color, how much have I dipped it in? If I bring it up a lot, we get a lot. Other things that are in here. Over here, we have different settings. This one here would I think clean your brush, this one would load your brush. And if you click right next to it here, you can also load and clean. This shows you what's currently on your brush, as if you just looked at the brush physically. So that means there's nothing on it. So that if you're about to paint on your image, you might only mix and move the stuff around because there's nothing on your brush. Then you can click this icon. I thought that would load your brush but if you look at it, it's supposed to be a little arrow pointing up as if you're putting something on your brush. So that loads it, that should clean it. Anyway, you can experiment with this. And if you experiment with bristle brushes and all those settings for your brushes, you can get some really interesting effects. I'm not a painter though, so I'm not the kind of guy that's gonna use this to create an amazing thing. But it is interesting to work with. Start with these presets here. Experiment with them. Just so you know, these are just presets. All they're doing when you choose one of these is changing all the settings in the options bar. And if this ever says custom, it means you're not using one of those presets, you've modified it so that the settings that are in here do not conform to the preset, okay? Alright, well, I'm not gonna make an ugly picture anymore. I just wanted to give you an idea of where to go if you want to start experimenting with that. Know that the tool that I was just using was not the normal paintbrush tool. It was instead over here called the mixer brush tool. That's the one that gives me the options of wet and load and mix. So it wasn't the normal paintbrush, it was the mixer brush. It's in the same slot though as the normal paintbrush. Alright, well, let's think about tomorrow. Tomorrow we're gonna talk about tonal adjustments and adjustment layers. Just so you know, a tonal adjustment means one that does not affect the color. It affects only the brightness or the contrast of your picture. Now before tomorrow rolls around, you should head over to Facebook and go to that web address right there. That's where you can get on the private Facebook group related to this class. That's where you can ask questions about this and I bet you there'll be a bunch of people in there that are actually painters and things and they'll tell you the little tips and tricks about how to get even better stuff out of those particular brushes. I just wanted to make sure you had a general idea because it's not very common that you find a good explanation of what do these particular options mean. And I wanted to give you some of that. Then you can experiment and talk with your friends on the Facebook group and figure out what you might be able to get for better looking results. Finally, if you want to find me online, here are some of your options. And I hope to see you guys on Facebook group and in our next session of Photoshop CC, the complete guide.

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Ratings and reviews.

Ben Willmore is exceptionally and intimately knowledgeable about Adobe Photoshop and Lightroom, including Bridge and Camera Raw, and how they work together. He's also a wonderful photographer. That's great, but what's even better for us is that he's an incredible and generous teacher. He shares his knowledge and experience in an organized, thorough, thoughtful and relatable way. I envy his efficiency with words and ideas! He isolates hard-to-understand concepts - things we'd be unlikely to figure out on our own - and explains them in simple terms and with on point and memorable examples. I completely enjoy Ben's teaching methods and his personality. His admiration and appreciation of his wife, Karen, are telling of what a good guy he must be, and he's got just an overall pleasant personality. I love his amusement when something "ridiculous" happens during an edit! This bootcamp is fantastic and just what I need. It's only one of Ben's many CL classes that I've watched and learned from - they are all excellent. Thank you, Ben Willmore. (And Karen!)

Lynn Buente

I purchased this course ---SMART MOVE!--because, at 74, I learn more slowly and need more practice. While I've had some "novice" experience with PS, this course is moving me along in a totally different way. Most tutorials just tell you what to do. Ben tells you not only WHAT to do, but WHY (--or why not) and HOW. Understanding better can lead to using the practices in PS more fluently AND to greater freedom to be creative. I find Ben's approach to be kind of a "come as you are" session. No matter where you are on the learning spectrum, there is something to review, something new, or a brand new challenge. The relaxed manner of presentation is great, but doesn't minimize the content of the class. I appreciate the additional explanations and theory. These help to make total sense of the tools and practices of good editing. I would really recommend that, if possible, you purchase the course. The practice images, the homework, and the evolving workbook are great review and reference points. Personally, I have downloaded the classes by week so I can view, re-view, and stop, start, and repeat segments as often as I need to --which is often! Also, sometimes I like to view and work on one segment of the class at a time. My study of this course will be a LOT LONGER than four weeks, and I know I'll be referring to it as long as I'm a Photoshop user. Thanks, Ben! (And thanks to your wife for her contribution as well.)

Carol Senske

I've used PS for about five years in many of it's various versions. Learning on your won is a tough proposition, and I've struggled the whole time. Seeing work I admired and that inspired me to strive for great er things then not being ablr to figure out how to do them was a major frustration. The jargon was sometimes foreign, the complexity of the program overwhelming but I soldiered on and learned bits and pieces. A friend recommended Ben's course and I immediately came to CL to see what she was so thrilled about - I was amazed! Ben is down-to-earth, explains each step, gives shortcuts, defines terms, and shows how to accomplish what he's teaching. After two weeks I bought the class. I not only bought the Photoshop course but I added the Lightroom course as well. I'll do that, on my own, when things slow down a bit, and I have no doubt that course will help me even more than the PS course. I'm totally at sea with LR. I like Ben's teaching style, appreciate all the homework and extras included, and greatly appreciate the magnificent, easy to use, workbook by Ben's wife. I give my wholehearted endorsement for this course!

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Related classes, 2024 adobe photoshop: the a to z bootcamp, adobe photoshop cc: the complete guide, adobe photoshop: the complete guide bootcamp, related articles.

30 Amazing Adobe Photoshop Tutorials for Beginners [2022]

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Adobe Photoshop is among the market leaders in the creative world. Well, according to Adobe themselves ,

Over 90% of the world’s creative professionals use Adobe Photoshop.

And this shouldn’t surprise us in any way. While Adobe has developed many great products over the years – like Adobe Illustrator , Premiere Pro, Acrobat, InDesign, After Effects, and others, Photoshop continues to be a massive name in the design industry and it won’t change soon.

Photoshop is the most versatile app that is offered by Adobe because it can serve different needs – you can do so many things with it: basic photography edits, photo manipulations, drawing, graphic design, social media design, and even web and app design.

But if you’re reading this, you have probably made up your mind, so there’s no need to convince you why you should go for this app. In this article, we’ve selected the best beginner tutorials for Photoshop, as well as specialized tutorials for photo editing, drawing, design, etc.

Article overview: Getting started with Adobe Photoshop Photography Tutorials Drawing Tutorials Graphic Design Tutorials Social Media Design Tutorials Web and App Design

Getting Started with Adobe Photoshop

1. beginner tutorial – 2022 edition.

In this Adobe Photoshop tutorial, you will learn some of the most basic things about the program – how to work with basic Layers, brushes, RAW camera files, etc.

While this guide cannot provide you with in-depth information on how to complete big tasks, it’s very helpful to make you understand what you can achieve with Photoshop, once you get better.

2. How to use the Object Selection Tool in Photoshop?

Selection tools are used by photo editors to isolate areas of an image for cropping, editing, or elimination. There are several kinds of selection tools in Photoshop, each performing a different function.

In this tutorial, you will learn how to optimize them better to improve your image editing skills. The guide is very detailed and everything is explained slowly so that you can catch up with the narrator.

3. How to Add Shapes in Adobe Photoshop?

While working with shapes is more critical in Adobe Illustrator, that doesn’t change the fact you cannot do it in Photoshop.

In this guide, Julieanne Kost shares 10 quick tips for working with shapes in Adobe Photoshop. All of them are useful in many different scenarios. And the best of all is that the video is only 2 minutes long.

4. New Adobe Photoshop Features in 2022

Whether you are a newbie or an expert, Adobe Photoshop’s update is one of the most awaited events for design professionals every year (Adobe MAX). Version 23.0 was released in October 2021 and it came with some very good additions.

Object Finder, a couple of new Neural Filters, as well as Illustrator to PDF layer export (including retention!) are only some of the new features you will find in Photoshop V23.

5. Photoshop New Features for iPad – 2022

Photoshop for iPad has always looked a little bit stripped. And while we could justify the performance (and it is indeed slower than what we could see on Macs, for example), we can’t justify the lack of features.

However, Martin from “Yes, I’m a Designer” reviews two of the tools that finally appeared on iPads – Smart Objects and Camera RAW editing. If you have an iPad, it’s definitely worth checking this video.

Photography Tutorials

6. how to retouch skin in photoshop.

Photoshop is the go-to option for professional portrait photographers, as it has plenty of capabilities to work with the skin tone. However, there’s a very thin line between smooth editing and photo overkill.

In this tutorial, Kayleigh June shows how to make a natural retouch to the skin, without making the photograph look processed.

7. How to Change The Sky in Photoshop

Adobe Photoshop now lets you change the skies in the photographs, making them look more dramatic and “Instagrammy”.

Unmesh Dinda explains in more detail how to add custom “skies” and correct other image details to make the background match everything else in the frame.

8. Editing an image in Photoshop

It’s amazing to see how professional photographers can utilize Photoshop and Lightroom to create stunning images even with entry-level cameras.

In this Photoshop tutorial, one guru in the photography world – Peter McKinnon, explains in a very quirky way how to drastically improve an image with some basic techniques and a little bit of the “McKinnon Factor”.

9. How to Add a Vintage Look to an Image

Over the last few years, vintage photos have become trendy again, thanks to Instagram filters. But how to create one?

In this tutorial, you will learn how to create a vintage photo by artificially adding image noise and using another image to blend the artifacts, plus some additional techniques like playing with shadows.

10. How to Fix Underexposed Photos in Photoshop?

Overexposed and underexposed images are a nightmare for photographers. While newbies often struggle to find balance, even professionals have to make a hard dilemma when their camera can’t capture the right photo.

Luckily, Adobe Photoshop can recover a lot from the shadows if the image is underexposed. You’d have to sacrifice much more in case of an overexposed photo, as the highlights may appear blown out.

In this tutorial, you’ll learn how to make adjustments in just 2 minutes, so that you bring those colors back and make your images jaw-dropping.

Drawing Tutorials

11. how to create a basic drawing in photoshop.

Adobe Photoshop is a great tool for creating all kinds of drawings – from basic ones to advanced 3D forms and designs.

In the video below you will learn how to work with brushes and strokes. The best thing about Photoshop is that you can use many free brushes .

12. How to Make a Digital Painting in Photoshop?

Adobe Photoshop is preferred for many artists who want to draw in digital form. Because you can draw on computers and on an iPad, there is a lot you can achieve here.

In this tutorial, you will learn how to use some techniques, like working with layers, highlights, and clipping masks.

13. How to Cartoon Yourself in Photoshop?

One very trendy movement is to create cartoons out of images. Of course, Adobe Photoshop is also capable of creating amazing cartoons.

In this tutorial, you learn how to better use the pen tool and color picker. You don’t really need many different techniques, however, you need to become more precise with the ones that you are using.

14. How to Create a 3D Character?

You can create a 3D character in Photoshop. You can use it together with Adobe Ch(Character Animation) to create gorgeous 3D animations.

This tutorial is not that easy to execute, however, you can learn some amazing advanced techniques that will help you improve your skills dramatically.

15. How to Draw on iPad?

Apple’s iPad is one of the best devices to simulate a digital canvas. While working on a computer has its perks, drawing by hand cannot be replaced.

In this tutorial, you’ll learn how to use the most important features of Adobe Photoshop for the iPad. You have to pay more attention to gestures and navigation, as this is probably the biggest difference between working on a tablet and a computer.

Graphic Design Tutorials

16. how to remove a background in photoshop.

Designers work with elements. And one of the most important tasks on a daily basis that designers do is fixing backgrounds.

This Adobe Photoshop tutorial is very explanatory and will walk you through all the stages you need to complete in order to achieve your goal – to remove the background of your image.

17. How to Create a Poster in Photoshop?

Posters are an amazing way to express how well you work with graphic design, as they combine multiple tools which could complement each other.

In this guide, you’ll see how to combine images, play with text, and change color settings. Bear in mind you should know how to remove background (our 16th tutorial) beforehand.

18. How to Create Package Design with Photoshop?

While Photoshop isn’t the best software to create package design, you might use vector file formats .

However, just because it’s the most suitable platform, doesn’t mean it’s capable. In this guide, you’ll see how to create a package design from scratch – from picking the right images to optimizing the colors and using the right forms.

19. How to Convert a 2D Logo Into 3D in Photoshop?

Logo Design is an area where Adobe Illustrator shines the brightest. However, nothing beats Photoshop in terms of creativity.

In this tutorial, you will learn how to transform a simple 2D logo into an amazing 3D form that will grab much more attention.

20. How to Create a Professional Portfolio?

Adobe Photoshop is often used for professional portfolios. This way, designers showcase their work in front of employers.

In this tutorial, Phaw Htoo shows you how to create a portfolio profile design step by step. The guide demonstrates how to position your works on the canvas.

Social Media Design Tutorials

21. how to create an instagram story in photoshop.

As you know, Instagram stories are just as popular as posts on the platform. They’re made in 9:16 format (or 1080 x 1920 pixels).

In this tutorial, you’ll quickly learn how to make amazing food stories. Although there is no commentary, all the steps are explained as subtitles. You will see how to combine plenty of skills – like working with shadows, colors, as well as text positioning, and curves.

22. How to Create a Facebook Post Design?

The Facebook post design is similar to Instagram, however, it is done in a different format.

In this tutorial, you will see how to create a Facebook post with all of its key elements – a good background, great fonts, and a CTA button.

23. How to Create a YouTube Banner in Photoshop?

YouTube doesn’t fall under the category “Social Media” but is certainly a good way to increase your exposure as a professional or a brand.

In the video below, you will see how to make a great YouTube banner with some very easy steps. You will better learn how to use image blends, fonts, and gradients.

24. Creating a Banner in Photoshop

Creating an Esports banner is not very common, so you won’t really need it unless you work in the gaming industry. But we really liked the variety of tools used.

In this tutorial, you can see how to use the Object Selection tool, and Clipping Mask tool, utilize shapes, as well as add highlights, and use brushes.

25. How to Create a Business Facebook Cover Photo using Photoshop?

Real estate agents and other business representatives often use social media channels to engage with potential customers for their business.

In this tutorial, you see how to make your cover image stand out with some very easy techniques – like creating shapes and utilizing space.

Web and App Design

26. how to create a landing page in photoshop.

Today, Adobe Photoshop is very commonly seen as a perfect tool for web design mockups, as well as app mockups, since it can create similar to real-life designs.

Let’s see in this tutorial how to create a landing page from scratch with the program. Cosmin Serban shows the essential elements of each landing page – well-made CTA buttons, transparent shapes, and in our case – a minimalistic design.

27. How to Design a Business Website Template in Photoshop?

Creating a business website template is one of the great features of Photoshop. Although Adobe XD and Figma are preferred options for it, but Photoshop still holds its ground.

In this tutorial, you will see how to create every step of the website template and most importantly – align elements on the canvas to make them look properly positioned.

You may also be interested in these 25 tutorials to master Adobe XD in 2022 .

28. How to Design an App Template in Photoshop?

Mobile app templates are quite popular, too. While Photoshop isn’t great for creating responsive app designs (because it works with raster files mainly), it works extremely well with adaptive designs. On top of that, Adobe’s 2022 Photoshop saw it dramatically improve compatibility with Illustrator.

In this tutorial, you will see how to create an app design (a “Sign Up” page) in Photoshop. You will see how to align elements, add social media icons, create a navigation menu and add buttons.

29. How to Create a Professional Newsletter in Photoshop?

Newsletters play a big role today. Since email marketing has the best ROI, designers pay a big attention to how they create their newsletters. Another fact to mention is that people are spammed with emails, so one should really craft something exceptional to grab the end user.

This guide will show you some of the best practices of email newsletter design – such as social media hooks, adding an action button, a rule of thirds, and a grabbing number (60% Discount).

30. How to Convert Photoshop to HTML?

Writing code is a slow process and we can all agree that exporting (or converting) design into code is going to save much time. Adobe Photoshop excels here, too.

In this tutorial, you will learn how to use the Slice Tool properly and export your Photoshop design in HTML. The second part of the tutorial requires you to have Dreamweaver, and there you will see the final design version.

Adobe Photoshop is a very powerful program. As you could see, there are so many things you can do with it – it is a versatile app that can fit many needs. All you need to know is to learn the features and master them. The results will come sooner than you think.

If you find our Photoshop tutorials practical, you can also check some of our other Photoshop-related articles:

• The Best Free Photoshop Plugins &  Actions to Get Now
• How to Create a Poster: The Best Beginner Tutorials + Useful Tips
• The Best Free Photoshop Brushes, Textures, and Patterns on the Web

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Nikolay Kaloyanov

Nikolay is a copywriter with vast experience in Technology, Marketing, and Design. When he isn't playing with words and crafting texts, he watches sports and asks questions. He is a funny person...until you put him on a diet.

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Top 45 Adobe Photoshop Interview Questions and Answers

Here are Photoshop interview questions and answers for freshers as well as experienced candidates to get their dream job.

1) What is Adobe Photoshop?

It is software developed by Adobe to create and edit images and logos. By adobe photoshop adjustment and modification can be done.

2) How you can re-size the image in Photoshop?

To resize the image in Photoshop you have to go into menu bar, under menu bar you will find an option “Image Size”. On clicking that option, it will open a dialog box, by which you can adjust the size of the image.

Free PDF Download: Photoshop Interview Questions & Answers

3) What is a Gradient in Adobe Photoshop?

Gradients are a great way to introduce eye-catching and flashy graphics in your pages.

4) What are the Photoshop’s work areas?

The Photoshop’s work area includes Application Bar, Option Bar, Panel Dock and Tools panel.

5) In Adobe Photoshop how you can print the grid?

6) what is resizing images and what are the parameters to change the size of the picture.

To suit a particular purpose of the application resizing of the images is done.

The parameters to change the size of image are:

• Type of image or picture
• Size of pixels
• Background resolution

7) In Photoshop, what is a smart object?

In Photoshop CS2 and above, it has a special layer known as Smart Object Layer. Smart objects give freedom to work with multiple copies of a single object. All the multiple copies will be updated simultaneously when single object is updated. Also, changes in the adjustment of layers and layer styles of a single object can be done without affecting the multiple copies. Without any loss in pixel, pixel based objects can be changed several times.

8) How do you organize layers in Photoshop?

A layers shows a picture or image. To organize layers in Photoshop, place various images in separate layers. Lock the unused layers and unlock the layers which are in use. When two or more layers need to be changed, unlock the layers.

9) How you can unlock the background in Photoshop?

To unlock the background image, first click on the picture or image and then select MODE option. After that, select the option GRAY SCALE and revert to LAYER. When you double click on the surface, the surface will be unlocked.

10) How do you select an exact color to match?

To sample the color as foreground color, we use the eye-dropper tool. Select the foreground color square, use the paint bucket tool or brush tool for covering the area. You can also use Clone Stamp Tool. Now use the key Alt+ and click where you want the color from and hold down the mouse button to cover up the area.

11) What is the difference between PSB (Photoshop Big) and PSD (Photoshop Document)?

They both are file formats to store digital images. There is very less difference between PSB and PSD, what they differ is how they are stored and used. PSD is a default extension for Photoshop files and it can support the file size of 30,000 by 30,000 pixels. While for creating big documents or large image .psb file format is used, and it can save an image size upto 300,000 by 300,000 pixels.

12) What is healing tool?

Healing tool is used in Photoshop to hide the unwanted spots or pictures that appeared in your original picture and makes picture look like real without any changes. The tool use complicated algorithm to calculate what would be the area of your picture based on the surrounding pixels.

13) Can you use bamboo tablet in Photoshop?

Yes, you can use bamboo tablet in Photoshop. After installing the bamboo tablet software, open the software. Once done, the next step is to configure the four hotkeys of Bamboo tablet with the help of the software available in tablet. Create a new document and open the Photoshop, you can now have Photoshop with a bamboo tablet.

14) How can you reduce noise in an image?

Reduce noise option is helpful to reduce the color and luminance effect in the image. To reduce the noise in an image, you have to go in a menu bar, select a filter menu, and in that you will see an option for NOISE. Again, clicking on it, it will show other option including reducing noise.

15) How to create an artistic border?

To create an artistic border, you must select an image. After that, add a layer mask in a layer pallet then select filter-> brush strokes-> sprayed strokes.

16) What is a Gaussian blur?

Gaussian blur is a tool that blurs the edges of the image to make it more real and adaptive to the surrounding. Often it is believed that Gaussian blur can only blurs the image, but if it is used cleverly it will not blurs the image but enhance the appearance.

17) What are swatches palettes?

Photoshop provides two palettes for selecting color, a) Swatch Palettes b) Color Palettes. Some specific colors can be used without remembering the numeric color values. Also, colors can be extracted from an available image. Default swatches and custom swatches are also an additional option for the users.

18) What are Lasso tools and name them?

With lasso tools precise area of an image can be selected, just by tracing the selection outlines the areas are selected.

• Simple Lasso Tool
• Polygonal Lasso Tool
• Magnetic Lasso Tool

19) With the help of spin software how you can make 3D sphere?

To make 3D sphere, select blur from filter menu and click on radial blur. Select spin option in the blur method section, you can increase or decrease the amount of spin by dragging the slider.

• Technical Interview Questions and Answers (2024)
• Top 15 Adobe After Effects Interview Questions and Answers
• Top 15 Adobe Illustrator Interview Questions and Answers

20) How to create a transparent background in Photoshop?

To create a transparent image you need to follows three steps:

• First go to ‘Select’ option and select the background, and then click on ‘Inverse’. This will select your main picture.
• Open a new file, select option ‘ Transparent’ under content, and you will have a file with transparent background.
• Copy your main picture and paste it to new file you created.

21) What is Clone tool?

Clone tool uses the current brush to repair the problem areas in photos and pictures, by painting over them with pixel data from other areas.

22) How you fix the blurry images in Photoshop?

To fix the blurry images in Photoshop you can use sharpening tools. Sharpening the image will lose the pixels, make sure you are finished with everything else and saved the changes before you start sharpening the image.

23) What tool you can use to combine images?

You can use Auto-blend layers command to combine images. Auto-blend layers uses layer masks as needed to mask-out over underexposed areas.

24) What is a Bezier curve?

It is a mathematically defined curve used in two-dimensional graphic applications. It is defined by four points, the initial position, two middle point positions and a terminating position.

25) How does Red Eye tool works?

Red eye tool is a type of a repairing tool. When you circle any problematic area with red eye tool, the Photoshop will automatically identity that area and will replace it by dark-gray pixels.

26) Explain what is PostScript and showpage command?

PostScript is a page description language developed by Adobe Systems. It is a language for printing documents on laser printer, but it can also be used to produce images on other types of devices.

Showpage command transfers the contents of the current page to the current output device.

The main function of showpage is

• It executes the endpage procedure in the page device dictionary
• Executes the function equivalent of an initgraphics operation, reinitializing the graphics state for the next page
• In page device dictionary, it executes the beginpage
• If the Boolean result returned by the EndPage process is true, transmits the contents of the page to the current output device and performs the equivalent of an erasepage operation, clearing the contents in preparation for the next page.

27) Define what is the meaning of a Path?

A path can be defined as a collection of possibly disconnected, lines and areas describing the image. In simple words, it is a collection of curves and line segments arranged on the page. A path cannot be drawn by itself, but after it is specified it can be stroked (lines) or filled (places) making the proper marks.

28) Explain what is Photoshop lightroom?

Photoshop light room is a software designed for photographer to make post-processing work easy after photography.

Key features in Light room are

• PNG Support
• Full Screen Mode
• User Configurable Grid Overlays
• Windows HiDPI Support

29) Explain how you can import photographs in Lightroom from hard-drives?

When you start lightroom, it automatically ready itself for immediate import as soon as you connect an external storage device to your computer. But it fails then you have to follow the steps below.

• First select the source to import images file form
• Second step includes selecting files which one you want to import
• Once you select the files, you have to specify the method of import for example like Copy as DNG, Copy, Move , Add etc.
• The last step is to choose the destination to copy files to, file handling options and meta-data setting. This step is little longer than other steps as it includes other steps like file handling, file re-naming, apply during import etc.

30) Explain how you can create a Diptych?

To create a Diptych

• Go to “Print” module under the main menu
• Under layout style select Custom Package
• Now under Rulers, Grids and Guides , check and uncheck the options as per your requirement like page grid, rulers, image cells, dimensions etc.
• After that adjust other settings like file resolution, custom file dimensions, JPEG Quality
• Now you can drag and drop the images on your film strip onto the blank page and arrange them
• When done, choose print to file to export your diptych

31) Explain how you can create the HDR effects in lightroom?

In order to give an HDR effect to photo in light room,

• You have to open the develop module of Lightroom
• First step is to choose tone base
• The tone base will hightlight various settings like shadows, whites and blacks, constrast, clarity, saturation etc. It will set the foundation for the faux HDR effect

32) What color is considered to be blown out?

Any colour whose number exceeds 240 in light room is considered as blown out color.

33) Explain how you can fix blown out colors in light room?

To fix the blown out colors in light room, you have to go to local adjustment brush option in lightroom and you can adjust your color. Either you can reduce the effect of color or either you can balance the effect of color by increasing the proportion of the opposite color.

34) Explain how you can create a Grainy matte effect in Lightroom?

To create a Grainy matte effect in lightroom , you have to

• Go to “basic” section of the develop module
• Make changes like shadows, clarity or saturation if it requires
• Now go to the “split toning” section in the develop module and make the adjustment to Hue, saturation, balance, hightlight etc.
• And at the last we have to add grain, you can adjust the option like Amount, Size and Roughness

35) Mention what is the short cut to e-mails photos directly from lightroom?

To e-mail photos directly from the lightroom short cut is

Press: Command+Shift+M(MAC) / Control+shift+M ( displays the options to e-mail photos in lightroom)

36) Explain how smart collection in lightroom is useful?

Smart collection in light room is useful in

• Finding specific file types
• Smart collections to mark best images and can set up additional criteria
• Smart collections for Aspect Ratio- which means you can see your image in different formats like landscape, portrait and square

37) Explain why filename template is important in light room?

File name template is important in light room because with the file name template you can save lot of information about the image like meta-data of that image, equipment, date, equipment etc. Apart from that, you can also include a custom text field.

38) Explain where you can use file name templates?

File name templates can be used whenever you choose to rename files.

39) Explain how you can assign a keywords in Lightroom?

Lightroom provides the feature to assign keywords to your image. In order to do that

• Select the image you want to assign the keyword
• Under the library option you will see keyword Panel
• Inside the keyword panel you can enter the name you want to assign to selected photos

40) Explain how you can analyze the color tone in light room?

On the top right hand corner of the library there you can see a histogram. This histogram gives you a fair idea about your image appearance whether it is blown out or suave.

41) Explain how to take back-up of photographs in light room?

To take the back up of your photograph you have to

• Go to EditàCatalog setting (windows) or Light room à Catalog Setting (Mac)
• Click the general tab
• Look for the back-up section
• Look for the back-up catalog menu and select every time lightroom exits

42) Where you will find the back-up in light room?

When you install lightroom, the program makes a folder “Lightroom”. This folder contains

• lightroom catalog
• Files related to the catalog
• A folder named Backups for Lightroom backups

43) With filter options in library what all things you can sort and search in lightroom?

With the use of filter options you can sort and search various options like

• File type ( JPG, DNG, RAW etc.)
• Camera Model
• Lens focal length
• Aperture, ISO
• Flash state
• Flag status
• Virtual copies and many more

44) Explain how you can sync edits for multiple images in lightroom?

Once you have edited the image and you want the same changes in other images as well you can use the function “Sync” at the bottom of the develop panel.

45) In synchronize setting what you should not sync?

While using “Sync” function you must not check the check box for “Brush” option in synchronize settings, as it may distort the image appearance. Even if the image is almost similar never check mark to this option.

These interview questions will also help in your viva(orals)

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Manager, Corporate Marketing Campaign Content

About the role.

About the role:

The Manager, Corporate Marketing Campaign Content supports the development, planning, and execution of various corporate marketing campaigns and advertising initiatives that enhance brand positioning and drive awareness and understanding of the Novartis Corporate Brand in support of the enterprise growth goals and reputation. The Manager, Corporate Marketing Campaign Content facilitates the creation of campaign content (directly or through the Creative Services team) as well as supports senior team members with execution of corporate marketing campaigns.

Location: Basel, Switzerland

Key Responsibilities:

• Develop and or collaborate with the creative teams to ensure the development of content for corporate marketing campaigns
• Liaise with external agency partners to follow up on deliverables.
• Create publishing requests and collaborate with publishing teams to ensure that completed content is delivered on time.
• Support on campaign project planning and tracking as it relates to content
• Complete all required process steps to ensure that compliance requirements for creative is met.
• Provide project management and budgeting support to senior members of the team as needed

Role requirements:

• Bachelor’s degree (or equivalent) degree in Marketing, Design, Advertising, Journalism or related field
• Experience working in marketing campaign planning and execution
• Demonstrable experience of successfully managing multiple projects simultaneously
• Experience of managing campaign communications, timelines and budgets
• Content Strategy Development: Ability to develop and implement comprehensive content strategies aligned with marketing goals.
• Storytelling: Strong storytelling skills to create compelling narratives that resonate with the target audience.
• Brand Voice and Tone: Expertise in maintaining and adapting the brand’s voice and tone across various content types and platforms.
• Creative Problem Solving: Capability to address content-related challenges with innovative solutions.
• Strong strategic thinking and analytical skills.
• Advanced proficiency in Adobe Creative Suite (Photoshop, Illustrator, Premiere Pro, After Effects).
• Experience with AI-driven content creation tools.
• Proficiency in social platform content creation tools.
• Excellent communication and interpersonal skills.
• Ability to lead and influence collaborators and agencies without direct management authority.
• Ability to work effectively in a matrix organization.
• Keen eye for detail.

Benefits and rewards:

Read our handbook to learn about all the ways we’ll help you thrive personally and professionally:

https://www.novartis.com/careers/benefits-rewards

Commitment to Diversity & Inclusion:

We are committed to building an outstanding, inclusive work environment and diverse teams representative of the patients and communities we serve.

Accessibility and accommodation:

Novartis is committed to working with and providing reasonable accommodation to all individuals. If, because of a medical condition or disability, you need a reasonable accommodation for any part of the recruitment process, or in any order to receive more detailed information about essential functions of a position, please send an e-mail to inclusion.switzerland@novartis.com and let us know the nature of your request and your contact information. Please include the job requisition number in your message.

Why Novartis: Helping people with disease and their families takes more than innovative science. It takes a community of smart, passionate people like you. Collaborating, supporting and inspiring each other. Combining to achieve breakthroughs that change patients’ lives. Ready to create a brighter future together? https://www.novartis.com/about/strategy/people-and-culture

Join our Novartis Network: Not the right Novartis role for you? Sign up to our talent community to stay connected and learn about suitable career opportunities as soon as they come up: https://talentnetwork.novartis.com/network

Benefits and Rewards: Read our handbook to learn about all the ways we’ll help you thrive personally and professionally: https://www.novartis.com/careers/benefits-rewards

Novartis is committed to building an outstanding, inclusive work environment and diverse teams' representative of the patients and communities we serve.